tue 21/05/2019

dance

Balanchine's Jewels, Royal Ballet

Hanna Weibye

Balanchine's Jewels is catnip to dedicated ballet lovers.

Read more...

Pina Bausch's Rite of Spring, English National Ballet, Sadler's Wells

Hanna Weibye

Is English National Ballet's current predilection for acquiring European repertoire some kind of anti-Brexit statement, or just smart brand positioning?

Read more...

Crystal Pite, Flight Pattern, Royal Ballet

Hanna Weibye

Can thirty minutes of contemporary ballet say something meaningful about the modern refugee crisis? It has been the surprise of the season to find myself asking this question not once, but twice, at the Royal Ballet.

Read more...

Project Polunin, Sadler's Wells

Katie Colombus

This is the comeback after the comeback-that-never-was. It's the anticipated full stage ballet after the hugely popular Youtube video. It's the press waiting to see if ballet's bad boy will do something wild. It's the fans waiting to see if Sergei Polunin really will be the second coming (he's often hailed as the modern day Nureyev). Pamela Anderson is in the audience.

Read more...

Tree of Codes, Wayne McGregor, Sadler's Wells

Katie Colombus

Tree of Codes is a work made from a work made from a work.

Read more...

FLA.CO.MEN, Israel Galván, Sadler's Wells

Hanna Weibye

Before this Sadler's Wells Flamenco Festival-opening performance of Israel Galván's show FLA.CO.MEN, my guest wanted to know what the show would be like.

Read more...

Masurca Fogo, Pina Bausch, Sadler's Wells

Hanna Weibye

Tanztheater Wuppertal Pina Bausch are at an interesting juncture. Eight years after their eponymous founder died, and over 40 since she took over at Wuppertal, the troupe is reaching a point when, even if Bausch were alive, it would be facing change, as the older dancers in the company - many of whom have been there since the beginning - enter their late 60s.

Read more...

Giselle, English National Ballet, London Coliseum

Hanna Weibye

In the annals of ballet directors, always searching for the perfect balance between heritage programming and new work, there can rarely have been a double whammy so successful.

Read more...

Best of 2016: Dance & Ballet

Hanna Weibye

The criteria used by theartsdesk's critics in selecting pieces for this list are simple, but demanding: did a piece or a programme stir and shake us? Did it move us, and make us still - weeks or months afterwards - think, yes, I'd go see that again in a heartbeat?

Read more...

Strictly Come Dancing 2016 Final, BBC One

Jasper Rees

What is light entertainment for? It won’t save the world or heal the sick or bring warring factions to the negotiating table. It’s teeth and smiles and bread and circuses on a Saturday night and it shouldn’t have to bear any greater weight. The Generation Game was never required to offer vital balm during the Three-Day Week. Barrymore didn’t nurse us all through Black Wednesday and Britain’s exit from the ERM.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Hatton Garden, ITV review - ancient burglars bore again

Have we passed peak Hatton Garden? It’s now four years since a gang of old lags pulled off the biggest...

Game of Thrones, Sky Atlantic, Series 8 Finale review – who...

WARNING - CONTAINS SPOILERS! And so it’s over. Eight years of thrilling, fantastical, often emotionally devastating, in some senses ground-...

Anish Kapoor, Lisson Gallery review - naïve vulgarity and ot...

There's children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of...

Sting and Shaggy, Roundhouse review - wilfully uncool and ir...

Musical odd couples don't come much stranger than Sting and Shaggy. Last night, at the...

La Damnation de Faust, Glyndebourne review – bleak and compe...

Mid-career, moving ever further away from composing for concert platform and church towards the stage,...

Gentleman Jack, BBC One review - the revolutionary life of A...

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...

Cannes 2019: Too Old to Die Young - nightmarish LA noir

This year, Cannes has been adamantly defending traditional...

Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...

Much of Rokia Traoré’s set on Saturday night comprised folk songs about...

What We Do In the Shadows, BBC Two review - black comedy vam...

This is a toothsome treat for Sunday nights and one of those rare occasions when the...