dance
Like Water for Chocolate, Royal Ballet review - confusing and ill-conceivedTuesday, 07 June 2022![]()
When George Balanchine said that “there are no mothers-in-law in ballet”, he wasn’t just stating the obvious. He meant that there are some things that simply cannot be expressed in dance. Emotion and nuance are a story-ballet’s native territory; factual complications are a no-go. Read more...
|
Carmen, Queen Elizabeth Hall review - a flawed but fascinating retreadThursday, 02 June 2022![]()
When Natalia Osipova comes a-calling, a choreographer doesn’t say no. The Bolshoi-trained ballerina, having commandeered all the prime roles in her nine years at the Royal Ballet, is always looking to conquer new territory. In a string of self-curated solo shows she has made forays into contemporary dance as well as staking out her supremacy as a dance-actress, often commissioning new work. Read more... |
Sacre, Circa Contemporary Circus, Brighton Festival review - an astonishing assortment of lifts and throws, daring and strengthMonday, 30 May 2022![]()
Sacre isn’t your average big-top show. Created by Brisbane-based company Circa, this is modern circus meets contemporary dance – a conceptual deconstruction of the traditional experience, represented in a show of impressive strength, with real people reacting and responding to one another’s energies and intentions. Read more... |
Dance for Ukraine, London Coliseum, online review - a gala to rememberFriday, 22 April 2022![]()
What do top ballet dancers keep permanently in their back pocket? Answer: a fully rehearsed, ready-to-go gala item, to judge by a one-off fundraising event mounted in double-quick time at the Coliseum last month and now available to stream, raising more funds for the DEC Ukraine Humanitarian Appeal. Read more... |
The Weathering/Solo Echo/DGV, Royal Ballet review - the dancer as chameleonWednesday, 30 March 2022![]()
Of all the expectations one might have of a new ballet from a choreographer raised on street dance who has made work about the American prison system, serene loveliness isn’t one of them. Read more... |
Swan Lake, Royal Ballet review - a magnificent revivalSaturday, 05 March 2022![]()
In a week that saw the Royal Opera House lit up in the colours of the Ukrainian flag and its orchestra playing the Ukrainian national anthem, many theatres and concert halls found ways to express their sympathy for that country’s desperate plight. Read more... |
La Mif review - Swiss docu-drama focuses on troubled teensThursday, 24 February 2022![]()
La Mif is French slang for family - it’s the cool kids practice of reversing key words known as ‘verlan’ (itself l’envers backwards) to create their own language. Read more... |
NDT2, Sadler's Wells review - a diverse triple billFriday, 18 February 2022![]()
It's not every junior dance company that could sell out a house at Sadler's Wells. But NDT2 – younger sibling of one of Europe’s top contemporary dance ensembles, Nederlands Dans Theater, have grown over the last 35 years into a box office blockbuster in their own right. Read more... |
Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its rootsThursday, 17 February 2022![]()
Wind the clock back 45 years and the Big Apple was bankrupt, the lights had gone out and many native New Yorkers were packing their bags. Gangs controlled whole neighbourhoods, drugs were the currency of choice and, for a kid with no college, prospects were strictly limited. Read more... |
Acosta Danza, Sadler's Wells review - here comes the sunTuesday, 15 February 2022![]()
If Carlos Acosta could have bottled the year-round sunshine of his native Cuba, he would have. Instead he did the next best thing and founded Acosta Danza. Seven years later, years which included a UK tour kiboshed by the first lockdown, when the company only narrowly made it on to the last plane back to Havana, the troupe is sleeker, slightly smaller, but if anything even more ebullient. Read more... |
Pages
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...