mon 20/05/2019

dance

Jekyll & Hyde, Old Vic

Jenny Gilbert

From time to time theatre managements hit on the idea that danced drama should be part of their remit. Nick Hytner flirted with it at the National in his day with a run of productions for Lloyd Newson and his company DV8. Now Matthew Warchus, his feet barely under the desk at the Old Vic, has commissioned a show from a young choreographer who has Matthew Bourne’s crown in his sights.

Read more...

Carlos Acosta: A Classical Farewell, Birmingham Hippodrome

Hanna Weibye

Appearing before theatres full of middle-aged women in just your underpants is certainly one way to throw a retirement party. It may not be everybody's choice, but then Carlos Acosta is not like everybody, and never has been.

Read more...

Frankenstein, Royal Ballet

Hanna Weibye

Another year, another new full-length story ballet from one of the Royal Ballet's in-house choreographers.

Read more...

BalletBoyz, Life, Sadler's Wells

Hanna Weibye

Hearing that both Javier de Frutos and rabbit heads appear in the new BalletBoyz bill might give you pause. A choreographer so unafraid of graphic content that he started his career with naked one-man shows, and later made a piece about the Pope so sexually explicit and offensive that he got death threats – do the rabbit heads mean we're in for some kind of furvert orgy?

Read more...

Mariinsky Ballet: Concerto DSCH, Sacre, Wales Millennium Centre

Nadine Meisner

On Thursday the Mariinsky Ballet and Orchestra swooped into Cardiff for the ballet company’s only UK dates this year. Appearing at the Wales Millennium Centre for just four ballet performances, plus a family concert of Peter and the Wolf, the Mariinsky’s arrival does seem an extravagant indulgence by its backers, especially with the decision to show exclusively contemporary, Western-style, ballet programmes.

Read more...

She Said, English National Ballet, Sadler's Wells

Jenny Gilbert

Why are there so few female choreographers? Tamara Rojo, bugged by the fact that in 20 years on the ballet stage she had never danced anything choreographed by a woman, has stopped wondering and started doing something about it.

Read more...

The Winter's Tale, Royal Ballet

David Nice

It was twelfth night for Christopher Wheeldon's two-year-old, three-act Shakespearean ballet, and this newcomer had one nervous anticipatory question.

Read more...

theartsdesk in Berlin: Three Ballets

Hanna Weibye

In London, seeing the same ballet company do three different pieces in three different theatres over four nights would be some kind of festival. In Berlin, it's just business as usual – albeit quite a busy week! – for the hard-working Staatsballett.

Read more...

Kaash, Akram Khan Company, Sadler's Wells

Hanna Weibye

This new run of Kaash is an interesting test case for Akram Khan Company as its eponymous founder approaches his retirement from stage performance (forecast for next year). Kaash was Khan's first full-length work, created in 2002 and widely acclaimed at the time. But can Khan's older work stand up after 14 years in which Khan has consistently supplied the British dance scene with some of its most riveting shows (DESH, Gnosis, Sacred Monsters)?

Read more...

Giselle, Royal Ballet

Hanna Weibye

One of the secrets to enjoying life is mastering the creative use of disappointment. Many in the Covent Garden audience last night were no doubt deeply disappointed not to be seeing Natalia Osipova's legendary portrayal of the title role in Giselle, injury having removed the Russian superstar from the opening night cast.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Hatton Gardens, ITV, review - ancient burglars bore again

Have we passed peak Hatton Garden? It’s now four years since a gang of old lags pulled off the biggest...

Game of Thrones, Sky Atlantic, Series 8 Finale review – who...

WARNING - CONTAINS SPOILERS! And so it’s over. Eight years of thrilling, fantastical, often emotionally devastating, in some senses ground-...

Anish Kapoor, Lisson Gallery review - naïve vulgarity and ot...

There's children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of...

Sting and Shaggy, Roundhouse review - wilfully uncool and ir...

Musical odd couples don't come much stranger than Sting and Shaggy. Last night, at the...

La Damnation de Faust, Glyndebourne review – bleak and compe...

Mid-career, moving ever further away from composing for concert platform and church towards the stage,...

Gentleman Jack, BBC One review - the revolutionary life of A...

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...

Cannes 2019: Too Old to Die Young - nightmarish LA noir

This year, Cannes has been adamantly defending traditional...

Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...

Much of Rokia Traoré’s set on Saturday night comprised folk songs about...

What We Do In the Shadows, BBC Two review - black comedy vam...

This is a toothsome treat for Sunday nights and one of those rare occasions when the...