thu 22/05/2025

New Music Features

theartsdesk at Latitude: Damon Albarn/Booker T Jones

Matthew Wright

Booker T Jones seduced, his delivery a river of molasses, his beaming smile so suave it was difficult to believe he was, actually, singing the blues. Damon Albarn coaxed, like a well-meaning dad who’s taken his kids on a rainy picnic (a thunderstorm engulfed the end of his set) and wants them, in spite of everything, to have a good time. Lily Allen flounced and stropped; Kelis shook her booty, looking, in a gleaming golden dress, like a queen bee instructing the drones.

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theartsdesk in Fes: A world music festival that's a beacon of tolerance

Peter Culshaw

You are or maybe wish you were at Glastonbury this weekend. Not me. I last went six years ago and it’s just too big for me. And you need about four different passes to get backstage should you have a good or a bad reason to get there. Too bureaucratic. However, I was, as ever, more than glad to be at the Fes Festival of World Sacred Music, which is more human in scale, sociable and, at times, transcendent. This year was the 20th edition.

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theartsdesk at The Inntöne Jazz Festival

Matthew Wright

New Orleans. New York. Kansas City. Chicago. These are the places where the soul of jazz breathes free. In London, you’d head to Soho. Dalston, or Camden; none of these places have a blade of grass to share between them. Jazz must be one of the most determinedly urban genres of music. Even rap these days has flirted with country music. (Look up Spearhead’s entertaining “Wayfaring Stranger” if you don’t believe me.)

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theartsdesk in Aarhus: SPOT Festival 2014

Kieron Tyler

At last night’s Eurovision Song Contest, host country Denmark submitted “Cliché Love Song”, a weedy Bruno Mars-a-like designed to ensure they did not win for a second year running. It came ninth. While understandable that Danish national broadcaster DR would try to duck the expense of staging the extravaganza in Copenhagen again in 2015, they could have displayed some imagination by choosing an entrant that was certainly not a winner but had some worth.

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theartsdesk in Cabo Verde: Sodade, Slaves and Syncopation

Peter Culshaw

My preconceived and somewhat misguided idea of the Cabo Verde islands (the official name for Cape Verde these days) was that they were basically a hotter version of the Canaries, with a spare and volcanic landscape that, being a Creole culture in the middle of nowhere, produced a few remarkably wistful singers, most famously the great Cesaria Evora.

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theartsdesk Q&A: Singer Sonja Kristina

Graham Fuller

The March release of North Star, Curved Air's first studio album for 38 years, was no small triumph for vocalist Sonja Kristina and drummer Florian Pilkington-Miksa. Surging yet deliquescent, it echoes here and there the psychedelic pomp of the first three LPs they and original core members Francis Monkman and Darryl Way recorded at the height of the progressive rock era.

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Listed: Hauschka's Abandoned Cities

theartsdesk

Hauschka is a musician and composer from Düsseldorf, performing in what has been dubbed a "post-classical" vein, although he also has many fans in the electronica scene. His new album Abandoned City, written and performed almost entirely on a treated piano, was inspired by the idea of cities that are no longer, or never were, inhabited. It is full of approriately elegiac beauty. Here he introduces the different cities with a paragraph about each.


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Interview: Karol Conka - a shiny new rap star from Brazil

Peter Culshaw

Three years ago Karol Conka was a receptionist. Since then she had made a living from her music and, with the launch of her first international album Batukfreak, (“Beat-freak”, more or less) is making waves internationally. But that doesn’t tell you the punch her music has or her style (when I meet her, she’s wearing cute Japanese shoes, dyed short blonde hair, super-colourful jacket).

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theartsdesk in Estonia: Freedom and Music Thrive in the Shadow of Putin’s Russia

Kieron Tyler

“Art, real art, is a denial of the status quo. A tradition that values the role of the individual.” Speaking in Estonia’s capital for the opening of Tallinn Music Week, the Baltic country’s President Toomas Hendrik Ilves is referring to what’s just over his shoulder. Freedom is on his mind.

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Frankie Knuckles, 1955-2014

joe Muggs

It's rare that you can trace a genre to one man. But house music is well documented: “house” originally simply meant the music played at the Warehouse club, by one Frankie Knuckles, who died yesterday in Chicago from diabetes-related complications.

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