sat 20/04/2024

New Music Features

theartsdesk in Saint Louis, Missouri: A Boxing Opera

Adrian Dannatt

The Opera Theatre of Saint Louis has been sometimes dubbed the "Glyndebourne of America" due to the charming garden picnics enjoyed by patrons during the sizzling Missouri summer season. But that title also suggests the company's daring international programming. Since 1976 Opera Theatre has hosted 22 world premieres and 23 American premieres, almost certainly the highest percentage of new work of any American company.

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theartsdesk in Røros, Norway: Fiddles and Slag Heaps

Kieron Tyler

It’s just before midnight on Friday. A few hundred couples circle the floor of a school gym. On stage, violinists play a rhythmic music which cycles repetitively. Coloured with sad, minor notes, it sounds like a stately ancestor to bluegrass. Hands joined, the couples raise their arms above their heads. The woman spins. Breaking the link, the man suddenly bobs downwards, hops up and spreads his arms apart in a come-hither gesture. His partner’s raised hands say no.

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'The Rolling Stones of Morocco' - Nass El Ghiwane's music of protest

Tim Cumming

Fly into Morocco on Royal Air Maroc, and as in-flight entertainment on the overhead screens you’re treated to Charlie Chaplin shorts from the 1910s, still sharp as a tack, the little guy goosing authority, the law, the rich, the powerful. The Little Tramp must remain a figure with resonance in Morocco: the base of operations for legendary band Nass El Ghiwane was the back room of a tailor’s shop in Casablanca dominated by a poster of Chaplin.

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theartsdesk in Fes: Patti Smith and the Sufis

Peter Culshaw

“The boy looked at Johnny – he was surrounded by white and blue tiles, in the medina.” Patti Smith was improvising on her classic album Horses in her first, compelling, gig in Morocco. Smith has a history of Moroccan connections: she knew the Tangier-based writer Paul Bowles and plugged into that pre-punk Beat generation, but there were some raised eyebrows as to what exactly she was doing at a “sacred” music festival.

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theartsdesk in Agadir: Berbers Rising

Peter Culshaw

“It’s a good way of letting of steam,” said Reda Allali, the lead signer from Morocco’s leading rock band Hoba Hoba Spirit, referring to the the Timitar Festival.

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10 Questions for The Duckworth Lewis Method

Adam Sweeting

It's four years almost to the day since The Duckworth Lewis Method released their first album, a whimsical batch of songs about the myths and mysteries of cricket. It earned them a kind of nichey notoriety among cricket fans and was an eccentric treat for devotees of the duo behind the project, The Divine Comedy's mastermind Neil Hannon and Thomas Walsh of Dublin-based pop band Pugwash.

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The Orb Exclusive: Thomas Fehlmann DJ mix and Alex Paterson interview

joe Muggs

If anyone in British music still deserves that rinsed-to-death term "maverick" it is Battersea-born "Dr" Alex Paterson. From roadie for postpunk industrialists Killing Joke in the early Eighties, he went on to work as an A&R then - originally collaborating with The KLF's Jimmy Cauty - formed The Orb in the heat of the acid house explosion to bring the world "ambient house". 

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Video Exclusive: Tunng

theartsdesk

Almost a decade on from their debut album, Tunng’s founding folktronic ethos no longer carries the shock of the new, but the sprawling and vaguely mystical collective continue to make ever more beautiful and interesting sounds. Turbines, their fifth album, is released on Full Time Hobby next Monday. To get in the mood, readers of theartsdesk can catch a world exclusive eyeful of the video for their new single “The Village”. Let us know what you think.

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Frozen Gold: Iain (M) Banks, 1954-2013

Jasper Rees

Iain Banks, who has died at the age of 59 only two months after revealing that he was suffering from terminal cancer, was a leading purveyor of contemporary fiction. Iain M Banks was eminent in the field of science fiction. Iain "Spanks The Plank" Banks, however, was less well known as the composer of about 60 rock songs from the palaeolithic period, 1972-75.

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theartsdesk in Bradford: Bollywood Carmen Live

Jasper Rees

“My generation all were steeped in Bollywood.” Meera Syal, Wolverhampton born and bred, is recalling the cinematic influences of her youth. “It was our major link to India and was much more current than trying to make a phone call. You did feel that, though you were so far away, you were watching the same movies as your cousins.”

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