New Music Reviews
CD: Jess Glynne - Always In BetweenThursday, 11 October 2018
The first release from Jess Glynne’s new album, “I’ll Be There” confirmed the North London singer as the first ever British female artist to have seven no.1 singles in the UK Chart. Read more... |
Reissue CDs Weekly: Kubrick's MusicSunday, 07 October 2018
Stanley Kubrick’s use of music in his films has been inspirational. In 1999, The Caretaker – a nom-de-musique of Jim Kirby – issued Selected Memories From the Haunted Ballroom. While his alter-ego openly acknowledged the director’s film The Shining, the album’s music reconfigured vintage recordings of bands in tribute to the film’s haunted ballroom scenes. Read more... |
theartsdesk on Vinyl 43: Pixies, Nazareth, Yumi and the Weather, Beta Band, Northern Soul and moreFriday, 05 October 2018
There’s been a lot of conjecture over the last couple of years about HD Vinyl. It is, we’re told, a more precise and rounded analogue experience, taking record-listening to the next level. The company’s Austrian MD Guenter Loibl has explained that the process uses “a laser-cut ceramic instead of electroplated metal stampers” to achieve results that add 30% more audio information to a record. Sounds great. Read more... |
They Might Be Giants, Barbican review - genuine, authentic humourThursday, 04 October 2018
The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted humour. Read more... |
Soft Cell, O2 review - a memorable finale to their careerMonday, 01 October 2018
Soft Cell have been teasing us for almost three hours. “I think we might have forgotten to do one, Dave,” says Marc Almond, pacing the stage, a wry smirk on his face. His protégé, Dave Ball, is next to him, ensconced behind a corral of old analogue synthesizers. The song lyrics descending down two gigantic screens behind them illustrate the burlesque of it all. Read more... |
Reissue CDs Weekly: The Michael Gibbs Big Band, The Gary Burton QuartetSunday, 30 September 2018
Gary Burton fans with an eye for detail will know that “Fly Time Fly (Sigh)” from his second album, 1962’s Who Is Gary Burton?, had a writer credit of “Gibbs”. The American vibes-ace’s next album, 1963’s 3 in Jazz, a collaboration with Sonny Rollins and Clark Terry included another song by Gibbs. Read more... |
Reissue CDs Weekly: Bobbie GentrySunday, 23 September 2018
In 2016, a writer from The Washington Post thought they had found Bobbie Gentry. After announcing their presence via the entry phone system of a gated housing development near Greenwood, Mississippi, they were told “there's nobody here by that name.” Though Greenwood was where Gentry had attended school and taught herself to play multiple instruments, it was a predictable response. Read more... |
David Crosby & Friends, Shepherd’s Bush Empire, review - still spine-tingling at 77Wednesday, 19 September 2018
“This, quite possibly, could be a really good night,” declared David Crosby. He’s a couple of songs into this show, one of only two UK dates on the tour promoting his current album Sky Trails. Looking trim, beaming and in impeccable voice, the 77-year-old known as Croz fulfils his prophecy – and then some. Read more... |
Reissue CDs Weekly: Soft CellSunday, 16 September 2018
During their original 1980 to 1984 lifespan as a recording unit, Soft Cell issued three albums, a mini-album, eleven singles and EP. There were also compilation appearances, bonus tracks on discs included with albums or singles (such as the 12-inch of Jimi Hendrix cover versions accompanying The Art of Falling Apart) and extended tracks which appeared on 12-inch singles. Everything could probably be collected on six CDs. Read more... |
Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into songSaturday, 15 September 2018
Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. Read more... |
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