New Music Reviews
theartdesk on Vinyl Lockdown Special 2: Luke Haines, Finnish jazz, cosmic country, blues and moreFriday, 10 April 2020
Welcome to the second of our lockdown specials. It’s a small but vital dip into what’s new on plastic. Other than that, theartsdesk on Vinyl wishes you well in these strange times. Stay at home, play records, turn up the volume. Various Cadence Revolution 1973-1981: Disques International Vol. 2 (Strut) Read more... |
New Music Lockdown Livestream Special 1: Miley Cyrus, Metallica, Diplo and moreFriday, 10 April 2020
Given the times, theartsdesk’s New Music section is starting weekly round-ups of new streaming fare to liven the spirits and entertainingly pass the time during this lockdown. Here are our first five suggestions. Dive in! Light In The Attic Showcase Read more... |
ZZ Top: That Little Ol' Band From Texas, Netflix review - riffs, drugs and rodeosThursday, 09 April 2020
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that is kind of what they are. Read more... |
Colors performance stream on YouTube review - vocalists on lockdownTuesday, 07 April 2020
The Colors studio in Berlin has quietly created one of the biggest new brands in music from filming back-to-basics performances with laser-focused branding. From international megastars (Billie Eilish, Mac DeMarco) to up-and-comers, singers and occasionally rappers are filmed alone in a simple cube-shaped stage with distinctive colour-cycling lighting. Read more... |
theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazilian jazz-pop, 1980s indie and moreTuesday, 07 April 2020
For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on Vinyl will be presented regularly in bite-sized editions, roving across the pile of releases we have already, since those incoming have been whittled down a trickle. Welcome, then, to a cross edition of plastic ranging from the beautiful to the bizarre. Dive in! Read more... |
Reissue CDs Weekly: Hangman’s Beautiful DaughtersSunday, 05 April 2020
A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The Years”, The Jesus and Mary Chain’s “Just Like Honey” and The Velvet Underground’s “All Tomorrow’s Parties”. Hangman’s Beautiful Daughters' “Love is Blue” is a beautiful, haunting recording. Read more... |
ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politicsFriday, 03 April 2020
Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Read more... |
Elton John’s iHeart Living Room Concert for America, YouTube review - the real star was a Mayo Clinic doctor named ElvisTuesday, 31 March 2020
Available in Britain now on YouTube for only a couple of days, Elton John’s iHeart Living Room Concert for America was put together in less than a week and was broadcast in the US on Sunday evening. In normal circumstances, the slot would have been occupied by the iHeart Radio Music Awards, which were to have been carried live from the Shrine Auditorium in LA. Read more... |
Christine and the Queens/Instagram review - musical missives during lockdownTuesday, 31 March 2020
Since she burst onto the global scene in 2014 with her debut album, Chaleur humaine, Christine and the Queens' (aka Chris, real name Héloïse Letissier) work has been difficult to pin down. Is the French pansexual singer-songwriter-performance artist's music synth-pop, alt-pop or, as she describes it, “freakpop”? Read more... |
Reissue CDs Weekly: Recording Is The Trip - The Karen Dalton ArchivesSunday, 29 March 2020
“My favorite in the place was Karen Dalton. She was a tall white blues singer and guitar player, funky, lanky and sultry. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed and went all the way with it. I sang with her a couple of times.” Read more... |
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