New Music Reviews
Reissue CDs Weekly: Hangman’s Beautiful DaughtersSunday, 05 April 2020
A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The Years”, The Jesus and Mary Chain’s “Just Like Honey” and The Velvet Underground’s “All Tomorrow’s Parties”. Hangman’s Beautiful Daughters' “Love is Blue” is a beautiful, haunting recording. Read more... |
ReMastered: Tricky Dicky and the Man in Black, Netflix review - dynamic saga of music and politicsFriday, 03 April 2020
Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Read more... |
Elton John’s iHeart Living Room Concert for America, YouTube review - the real star was a Mayo Clinic doctor named ElvisTuesday, 31 March 2020
Available in Britain now on YouTube for only a couple of days, Elton John’s iHeart Living Room Concert for America was put together in less than a week and was broadcast in the US on Sunday evening. In normal circumstances, the slot would have been occupied by the iHeart Radio Music Awards, which were to have been carried live from the Shrine Auditorium in LA. Read more... |
Christine and the Queens/Instagram review - musical missives during lockdownTuesday, 31 March 2020
Since she burst onto the global scene in 2014 with her debut album, Chaleur humaine, Christine and the Queens' (aka Chris, real name Héloïse Letissier) work has been difficult to pin down. Is the French pansexual singer-songwriter-performance artist's music synth-pop, alt-pop or, as she describes it, “freakpop”? Read more... |
Reissue CDs Weekly: Recording Is The Trip - The Karen Dalton ArchivesSunday, 29 March 2020
“My favorite in the place was Karen Dalton. She was a tall white blues singer and guitar player, funky, lanky and sultry. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed and went all the way with it. I sang with her a couple of times.” Read more... |
Single: Bob Dylan - Murder Most FoulSaturday, 28 March 2020
A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments, zooming out and panning back and forth from the single pivotal event of the Kennedy assassination, plucking references out of the heavy air. Read more... |
ReMastered: Devil at the Crossroads, Netflix review - a story well told but marred by clichéd styleSaturday, 28 March 2020
Mississippi bluesman Robert Johnson’s reputation was much enhanced by the story – never substantiated – that he’d met with the devil one night at a crossroads, and was miraculously taught exquisite guitar licks that astounded his juke-joint audiences and later the world. Read more... |
Miles Davis: Birth of the Cool, BBC iPlayer - an intimate, insider's account of his life and musicFriday, 27 March 2020
Miles – where to begin? Some 21st century revisionists find his art fatally tainted by his personal life, and his violent behaviour in relationships. Read more... |
Sinatra: All Or Nothing At All, Netflix review - epic two-parter on pop's first superstarThursday, 26 March 2020
Coming in at around four hours, in two parts, this 2015 documentary is ostensibly about Ol’ Blue Eyes, Frank Sinatra, but really, via the prism of his existence, it’s as much about America’s journey through the first two thirds of the 20th century. Read more... |
Slipknot Unmasked: All Out Life, BBC iPlayer – masked metalheads reveal allMonday, 23 March 2020
There aren’t many metal bands like Slipknot. For a start, the nine-piece line-up consists of the standard vocalist, two guitars, bass and drums – but then there are also two percussionists, sampler and decks. Their music is consistently ferocious, with a hardcore, high-speed, ragging thump and semi-comprehensible lyrics that leaves no room for chart-friendly power ballads. Read more... |
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