New Music Reviews
Reissue CDs Weekly: Dennis HerroldSunday, 12 July 2020
It’s been a long strange trip for Dennis Herrold. The Virginia-born rocker’s sole single, December 1957’s “Hip Hip Baby” / “Make With the Lovin’”, was a full-bore rockabilly two-sider. Yet it made no waves despite being reviewed glowingly by music biz journal Billboard. Read more... |
theartsdesk on Vinyl 58: Joy Division, Alma, Prince, African Head Charge, Wargirl and much moreFriday, 10 July 2020
Lockdown’s easing and the record shops are opening here and there. So, to help vinyl junkies on their way, here’s 7000 words of reviews, capturing the best of the last couple of months’ releases on plastic. As ever, the sounds go everywhere, from hip hop to post-punk to Moroccan trance music. Dive in! Read more... |
Reissue CDs Weekly: Philip Rambow - The Rebel KindSunday, 05 July 2020
“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty, Mike Scott, Bruce Springsteen and even The Boomtown Rats when they were aping the first and fourth of those, the song clangs along with a powerpop chug and sports a hook-filled melody. Great. Read more... |
Glastonbury Festival 2020: Beyoncé, Boo-Yaa T.R.I.B.E., marijuana and time travelWednesday, 01 July 2020
Coronavirus blah blah blah. Glastonbury cancelled. What to do? Didn’t go to the 2010 festival for reasons too tedious to go into. Suffered the worst FOMO of my life. This is different. There is no Glastonbury. But sitting around at home… we’ve all been doing that for months… Read more... |
Romeo and Michele Stodart Present… The Thank-You Green Note Fundraiser, YouTube review - saving Camden's go-to music venueMonday, 29 June 2020
It’s 15 years since two schoolfriends with a passion for acoustic music opened Green Note in London’s Camden Town, their goal to create “somewhere friendly, comfortable, intimate, and with the best music on offer every night of the week”. It quickly established itself as the go-to club for talented musicians at the outset of their careers – Amy Winehouse and Ed Sheeran played early gigs, and Diana Jones made her UK debut on the Green Note stage. Read more... |
Reissue CDs Weekly: Razorcuts - Storyteller, The World Keeps TurningSunday, 28 June 2020
Razorcuts formed after Tim Vass discovered Alan McGee’s Living Room club. In the booklet accompanying the reissue of his band’s first album Storyteller, Vass says of the weekly London promotion that “The headline act would often be someone like The Membranes or Alternative TV, but it was the unknown support acts that blew me away: The Jasmine Minks, The June Brides, The Loft.” Read more... |
Album: Nadine Shah – Kitchen SinkThursday, 25 June 2020
Why don’t you have children? Why aren’t you married? Why don’t you own your own home? Why are you a failure? These are the societally enforced questions that, as a 34-year-old woman, Nadine Shah finds inescapable. Much like the rest of us. When talking to friends who also considered themselves “non-achievers”, she realised something was very wrong. Read more... |
Reissue CDs Weekly: Brian Wilson and Van Dyke Parks - Orange Crate ArtSunday, 21 June 2020
Orange Crate Art makes most sense in the context of Van Dyke Parks’s solo career rather than that of Brian Wilson’s. For the former it was preceded by Tokyo Rose, an orchestrated set tackling the intersections of American-Japanese cultural and socio-political relations. Read more... |
Reissue CDs Weekly: John Lee Hooker - Documenting The Sensation Recordings 1948-1952Sunday, 14 June 2020
John Lee Hooker’s recording career began on Friday 3 September 1948. He’d attracted the attention of the Kiev-born Bernard Besman, who was in Detroit after his family moved there in 1926 following five years in London’s East End. By the 1940s Besman, who played piano, was a veteran of dance bands and also worked as a booker. Read more... |
Laura Marling, Union Chapel, YouTube review - communication breakdownMonday, 08 June 2020
Music, as the sociologist Simon Frith long ago pointed out, is “an experience of placing: in responding to a song we are drawn, haphazardly, into affective emotional alliances with the performer and with the performer’s other fans”. Music makes you feel things, it’s about shared emotional experiences. And while, since the invention of the Walkman, those experiences are possible in the isolation of one’s own headphones, nothing can begin to touch the communal concert experience. Read more... |
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