wed 01/10/2025

New Music Reviews

Alice Cooper, The Stranglers, MC50, Brighton Centre review - a triple-headed blast of vintage rock

Thomas H Green

The Ol’ Black Eyes is Back Tour celebrates Alice Cooper’s 50 years using his stage name. He’d been around under other names before 1969 but Alice Cooper – originally the title of the band rather than the man – achieved success as the Seventies began by combining trash-glam drag with stompin’ riffy music.

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Kano, Brighton Dome review - simply joyous

Nick Hasted

Kano’s lyrics often sound like a wake, mixing mournfulness and anger as they raise a toast to fallen friends on abandoned estates, casualties of crushing pressures alien to the authorities who pronounce on them in the tabloids and parliament.

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Two Door Cinema Club, O2 Academy, Glasgow - lively but risk averse party songs for the weekend

Jonathan Geddes

The onstage arrival of Two Door Cinema Club was heralded by a tongue-in-cheek video countdown that reached zero and then flashed up an error message, before asking the crowd to “try again”. In truth, the band’s own performance was never likely to hit any hitches, being the sort of well-honed and slick display that you would expect from a group who have been touring steadily for the past several months.

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Reissue CDs Weekly: The Hollywood Stars - Sound City

Kieron Tyler

The Hollywood Stars were not shy.

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Rodrigo y Gabriela, Eventim Apollo Hammersmith review - fiery flamenco rock

Katie Colombus

Rodrigo y Gabriela are no longer the youthful metalheads that once spawned an organic fan movement from the muso grapevine, via rigorous gig schedules and world tours.

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Jambinai, Purcell Room - launching K-Music Festival with a wall of sound

Tim Cumming

K-Music has become one of the highlights of the autumn cultural calender since it launched in 2014, bringing an eclectic range of Korean artists and bands, from pop and rock to jazz and folk, and all the gradations between.

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Richard Thompson 70th Birthday Celebration, Royal Albert Hall review - not just a family affair

Tim Cumming

So it’s your birthday. Not just another one but your 70th. So who’s on the guest list?

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Minimalism Changed My Life: Tones, Drones and Arpeggios, QEH review - from Cage and Reich to 'Tubular Bells'

Tim Cumming

Charles Hazlewood's 2018 two-parter for BBC Four, Tones, Drones and Arpeggios: The Magic of Minimalism explored work by some of the great composers of the genre Hazlewood dubs as “last big idea in classical music”, which emerged from the experiments of John Cage in the 1950s, with offshoots spearheaded by the likes of La Monte Young and Terry Riley, and later Steve Reich and Philip Glass.

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theartsdesk on Vinyl 53: U2, Moonlight Parade, Oasis, Stray Cats, Crass, Prefab Sprout and more

Thomas H Green

It’s reckoned that this time next year vinyl sales will have overtaken CDs. It’s still a small market and anyone who thinks vinyl will one day replace streaming is living on Planet Lah-lah. There’s so much coming out even theartsdesk on Vinyl cannot review it all, but what we can do is devote 7500 words to what grabs our attention. We are not limited by genre or by new vs reissue.

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Reissue CDs Weekly: The Daisy Age

Kieron Tyler

In the lyrics of 1989’s “Doin’ Our Own Dang”, Jungle Brothers’ Mike D noted his combo were “Breaking the beat others wished they broke.” Going further, he acknowledged “Cause you’re trying to feel what’s on my reel to reel.” Jungle Brothers recognised they were not on their own. During the same year, the like-minded De La Soul released their debut album 3 Feet High and Rising.

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