mon 07/07/2025

New Music Reviews

Gossip, SWG3, Glasgow - a reunion tour worth celebrating

Lisa-Marie Ferla

If there was a downer during the giddy, gleeful Glasgow stop of Gossip’s recent run of shows, it was only when front woman Beth Ditto introduced the band as being “not really together but we’re here”.

Read more...

Boogarins, Jazz Cafe review - psychedelic hues and Brazilian grooves

Katie Colombus

I never quite know where I stand with with jazz. The endless, drifting circular loops of sound, subversive grooves and syncopated rhythms are like having the same conversation over and over, with slightly different turns of phrase and emphasis on different points.

Read more...

k.d.lang, Brighton Dome review - superb revival of classic album

Veronica Lee

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation of gay men and women, closeted or out, who felt it spoke directly to them.

Read more...

CD: The Flaming Lips – King’s Mouth

Owen Richards

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an accompaniment to his art installation in which visitors enter a giant metallic head. Rather on the nose for a metaphor, but still a hell of an invitation.

Read more...

Elbow and New Order, Lucca Summer Festival review – a meeting of Mancunian minds?

Kathryn Reilly

Thirty-three years ago, at Manchester's Festival of the Tenth Summer, I fumed that New Order had been given top billing over The Smiths, much to the mirth of a couple of reviewers of this very parish. History has proved me wrong, obviously. So, to Italy, and a modest-sized and relatively modern piazza (Napoleonic) in beguiling, ancient Lucca.

Read more...

Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review – a one-off or a premiere?

Sebastian Scotney

"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation for his Ivor Award a few weeks ago. “Joyful, insouciant and insanely clever,” wrote Evan Parker in a sleeve-note describing his re-workings of Charlie Parker in Confirmation (2011), the second album with his Belovèd Trio.

Read more...

Bob Dylan and Neil Young, BST Hyde Park review - flat-out brilliant and strangely compelling

Russ Coffey

It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course, everyone knows that only one of the two acts is still a conventional performer. And it's not Bob Dylan.

Throughout the afternoon men in old tour t-shirts discussed concerts they'd seen and wondered what might be in store today. The sun was shining and a...

Read more...

Florence + the Machine, BST Hyde Park review - mastering the matriarchy

Katie Colombus

It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans.

Read more...

Reissue CDs Weekly: John Renbourn

Kieron Tyler

Although British folk-jazz stylists Pentangle played their first official concert in May 1967, their name is borrowed for the title of Unpentangled, a box set of their guitarist John Renbourn’s work on album which kicks off two years earlier.

Read more...

theartsdesk at the Montreal International Jazz Festival - fabulous at 40

Sebastian Scotney

The Montreal Jazz Festival is vast. It attracts an audience of between 1.5 and 2 million people over its 12 nights. It has been estimated to bring the city more revenue than the Canadian Grand Prix.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...

Album: Olafur Arnalds and Talos - A Dawning

Silken ambience is the name of the game on this set from Icelandic composer-producer Olafur Arnalds and dreampop singer Talos, aka Eoin French,...

Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....