New Music Reviews
The Great Escape Festival 2019, Brighton review - a juicy smörgåsbord of new music from all overTuesday, 14 May 2019
Now going for over a dozen years, ever-busier since Live Nation took over its parent company in 2015, The Great Escape Festival is the annual multi-venue band showcase and music conference which sees Brighton swamped with... Read more... |
Better Oblivion Community Center, Shepherd's Bush Empire review - a winning combinationMonday, 13 May 2019
Better Oblivion Community Center may be a supergroup of sorts, but the name still draws less recognition that its members (Phoebe Bridgers and Conor Oberst from Bright Eyes). Maybe it’s just too complicated to remember, because a packed Shepherd’s Bush Empire proved the band’s wide appeal – lairy lads and muso pensioners, side-by-side for a night of charm and angst. Read more... |
Reissue CDs Weekly: Manfred Mann, The Searchers, The YardbirdsSunday, 12 May 2019
Repackaging and resuscitating the catalogues of endlessly reissued bands is fraught. By their nature, completists already have everything and the casually interested are not fussed by alternate versions of obscure tracks or disinterred lo-fi live recordings. It’s challenging to freshen up or put new spins on predominantly familiar material by endlessly reissued bands. Preaching to the converted is frequently the best which can be hoped for. Read more... |
theartsdesk on Vinyl 49 - Part 1: Keith Richards, Asian Dub Foundation, Popul Vuh, Nirvana, Cage the Elephant and moreSaturday, 11 May 2019
Due to exciting matters beyond theartsdesk on Vinyl’s control there’s been a slight delay to this month’s edition but, never fear, to ensure we cover all that’s juicy, we’re doing a special two-volume version, with Part 2 coming next week. Watch this space. Read more... |
Hugh Jackman, SSE Hydro, Glasgow review - showman plays to his strengths as he kicks off world tourFriday, 10 May 2019
“I hope you’re not only Wolverine fans or this is going to be a long night,” a grinning Hugh Jackman tells a screaming Glasgow crowd. Read more... |
Catfish and the Bottlemen, Cardiff Motorpoint Arena review - irrepressible arena rockTuesday, 07 May 2019
For a time, it looked like Catfish and the Bottlemen might finally be the next-gen guitar band with crossover appeal. Though that never quite came to pass, their new show promoting latest album The Balance proves why the indie faithful value them as Britain’s guiding light. Read more... |
British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!Tuesday, 07 May 2019
The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart. Read more... |
Sergio Mendes, RFH review - tight discipline, exceptional musicianshipTuesday, 07 May 2019
The last time Sergio Mendes, the Brazilian bossa nova legend, played at the Royal Festival Hall was in 1980 when he opened for Frank Sinatra. Read more... |
Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fryMonday, 06 May 2019
The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she returns at the end of the concert and announces she’s going to play one last song. A voice shouts out, “Make it a long one!” Happily, it is. Read more... |
Olly Murs, SSE Hydro, Glasgow - a little cheesy, a little laddish, but sincerely entertainingMonday, 06 May 2019
In an alternate timeline, Olly Murs - runner-up on a TV talent show a full decade ago - would have faded into obscurity by now. This, as the relentlessly charming performer on stage delights in reminding us, is not that timeline. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Oliver!, Gielgud Theatre review - Lionel Bart's 1960 ma...
Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes Oliver!, Lionel...
Album: Ethel Cain - Perverts
Ethel Cain’s Perverts is a dark and experimental follow-up to her debut album, Preacher’s Daughter. It takes listeners on a...
Leif Ove Andsnes, Wigmore Hall review - colour and courage,...
Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...
American Primeval, Netflix review - nightmare on the Wild Fr...
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...
Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...
Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...
The Maids, Jermyn Street Theatre review - new broom sweeps c...
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...
Gala Preview Show, De Montfort Hall review - Leicester Comed...
Europe's biggest comedy festival, which showcases established stars,...
The Second Act review - absurdist meta comedy about stardom
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...