sat 21/09/2024

New Music Reviews

Rodrigo y Gabriela, Roundhouse - sound and (new) noise

Katherine Waters

It was in the early 2000s in a tiny, gritty bar that I first saw Rodrigo y Gabriela live. Camden was less pretty then  a look was close to a glare and there were more spikes and kohl – the nineties were that much closer. I was right at the front, pressed up against a rib-height stage, alarmingly close to the percussive thrum taking place inches above my head. The atmosphere was heady, their acoustic performance electric.

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Suede, Brighton Dome review - Brett Anderson gives it full frontman chutzpah

Thomas H Green

Suede finish “Sabotage”. It’s a mid-paced, elegant number set off by swirling, circling central guitar. Frontman Brett Anderson hangs from his microphone stand on the left apron of the stage to deliver it, with the lights down low. Afterwards he paces back to his bandmates, body taut, hair a-flop.

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Sleaford Mods, Dreamland, Margate review - musical news from broken Brexit land

Kathryn Reilly

Sleaford Mods are livid. About everything. But then, aren’t we all? If any single voice could represent this particularly bewildering era, it would be Jason Williamson’s. Outraged, marginalised, furious, he’s determinedly (with the help of henchman Andrew Fearn) dragging the fetid carcass of British society over the coals. Truly, this is a band for our times.

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Reissue CDs Weekly: Terry Allen

Kieron Tyler

Torso Hell tells the story of an American soldier whose limbs were blown off in Vietnam. Amazingly, he and his buddies survived, and in the ensuing medical chaos his arms and legs were re-attached to them rather than him. The narrator says “At the hospital, it’s so crazy and confused that when these guys come in, the doctors and nurses don’t know what from what … they just start sewing. The main guy stays a torso, but they put his arms and legs back on the other guys.

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Take That, SSE Hydro, Glasgow review - capes and cameos in 30th anniversary spectacular

Lisa-Marie Ferla

This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what would turn out to be the UK’s most successful pop act. It is fitting, then, that what they are billing as the Odyssey tour features 25 hits from across three decades - and more than a few callbacks.

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Get The Blessing, Hare & Hounds, Birmingham review – West Country cats lay down some jazzy sounds

Guy Oddy

Get The Blessing are a band whose music never fails to conjure up images of someone like Steve McQueen driving along a coastal Californian road, looking cool as you like in very dark shades, sat in an open-top sports car from a seriously stylish cops and robbers film from the mid-Sixties. This is despite the fact that their first album was only released in 2008 and they hail from Bristol.

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John Mayall, Ronnie Scott's review – the legend on his own terms

Sebastian Scotney

John Mayall keeps up one hell of a touring schedule for an 85-year-old. Last night's early set at Ronnie Scott's was the first of a three-night, two-houses-per-night stint at the club. And these performances come on the tail-end of around 35 previous engagements: Mayall's quartet has been criss-crossing Europe and gigging on most days since starting off in Tampere, Finland and darkness in late February...

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Bebel Gilberto, Union Chapel review - less effort, more transcendence, please

Sebastian Scotney

How do we want our fleeting, precious, close-up glimpses of the royals to be? Do we want the mystique, the aura, glamour and transcendence? Or would we rather be reassured that they are, in their way, just like us?

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Terry Riley & Gyan Riley, The Old Market, Hove review - gently pleasing evening of improvisation

Thomas H Green

“I don’t know if I’m going to recognise any of it,” I say to my accomplice as we drain a couple of light ales amid the sea of grey beards in The Old Market’s bar. “I don’t think they’ll play the hits,” he replies, deadpan, “but don’t worry, there should be some onstage banter that’ll give you a couple of the titles.”

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The Good, the Bad & the Queen, Great Hall, Cardiff review - a jolly big knees-up

Owen Richards

“Our attendees are a select group, but we have a connection,” remarked Damon Albarn at the end of The Good, the Bad & the Queen’s set. He’s not wrong – much of the band had outgrown Cardiff’s Great Hall 25 years ago, but it proved the perfect venue for this musical love-in.

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