New Music Reviews
CD: Frank Turner - No Man's LandWednesday, 14 August 2019
Frank Turner’s compendium of extraordinary female lives, from the “impudence” of a Byzantine princess to his mum via Mata Hari, is admirably ambitious and historically intriguing. The arena-playing folk-punk digs deeper into factual byways than he has any career need to, insisting on his own wayward course. |
theartsdesk in Oslo: Øya Festival 2019 reviewSunday, 11 August 2019
The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Read more... |
Reissue CDs Weekly: Come On Let's Go!Sunday, 11 August 2019
The core paradox with powerpop is that most of those who sought to create the perfect guitar driven, hook-laden pop song failed to score hits. Come On Let's Go! – Power Pop Gems From the 70s & 80s is stuffed with the classy and memorable, but under a third of its 24 participants had any sort of chart profile. Read more... |
Johnny Marr, Royal Festival Hall review - rock royalty having the time of his lifeFriday, 09 August 2019
Nile Rodgers, the beaming, beret-sporting curator of this year’s splendidly eclectic Meltdown, strolls on to the Royal Festival Hall stage tonight to introduce his “dearest friend in the world”. Read more... |
The National, Kelvingrove Bandstand, Glasgow review - rapture, catharsis and jokesThursday, 08 August 2019
With their claustrophobic melodies and cryptic lyrics, The National are not the most obvious of choices for a summer evening. But then, The National of 2019 are not the same band. On recent album I Am Easy to Find, frontman Matt Berninger’s signature baritone is often on the periphery, while female voices take the lead. Read more... |
Wilderness Festival 2019 review - marvellous misbehaviourWednesday, 07 August 2019
The thing about Wilderness is that it’s just so jolly decent. Acres of decadence, sprawled safely over the yawning magnificence of Cornbury Park, Oxfordshire, combine to create a scintillating country fair reverie – a heady mix of good music, high end food, luxury outdoorsyness and companionable folk. Read more... |
Nile Rodgers and Chic, Royal Festival Hall review – great band, shame about the soundMonday, 05 August 2019
There is every reason to celebrate Nile Rodgers. For his contribution to music as arranger, producer and performer over more than four decades. And also not least because he’s still around and still performing: he has, after all, pulled through after two bouts of serious cancer in 2010 and 2017. Read more... |
Reissue CDs Weekly: Fernando Falcão - Memória das ÁguasSunday, 04 August 2019
Memória das Águas hasn’t figured in lists of great Brazilian albums. Its creator Fernando Falcão isn’t as celebrated as fellow countryman and musical maverick Tom Zé. The reissue of this arresting yet previously obscure album should help change these oversights. Read more... |
Black Sabbath: 50 years, Birmingham Museum and Art Gallery review – not heavy goingFriday, 02 August 2019
The well-spring of certain musical genres and hometowns of certain influential musicians have long been a source of civic pride – and a boost to the tourist industry – in many clued-in parts of the world. One only has to think of the co-opting of Bob Marley’s life and influence in attracting tourist dollars to Jamaica or the raising of the Beatles to mythic status – bus tours and all – in Liverpool. Read more... |
Ludovico Einaudi, Barbican review - a long road to nowhereThursday, 01 August 2019
There is a video, part of Greenpeace’s laudable Save The Arctic Campaign, in which Ludovico Einaudi sits at a Steinway atop a small ice flow performing his Elegy for the Arctic. As he plays a descending scale, the camera pans slightly to the right just in time to see a chunk of glacier break away and crash into the sea. Perfect timing! Read more... |
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