New Music Reviews
theartsdesk on Vinyl 49 - Part 2: Prince, Johnny Cash, Sparks, Toyah, Adrian Sherwood and moreSaturday, 18 May 2019
We return, after only a week away, with Part 2 of Volume 49. Starting out with an amazing comeback from Adrian Sherwood’s Pay It All Back compilation series as Vinyl of the Month, this edition takes in everything from Prince to death metal to ambient classical. Read more... |
The Specials, Margate Winter Gardens review - ska legends passionate and on-pointWednesday, 15 May 2019
Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour? Read more... |
Chilly Gonzales, Brighton Festival 2019 review - an intimate and exhilarating eveningTuesday, 14 May 2019
Chilly Gonzales sits for so long at the piano, in his smoking jacket and slippers, before commencing his first song that I wonder if this is a John Cage moment. It’s a stark contrast to his energy at the end of the gig, where Chilly (real name, Jason Beck) is stamping both feet in marching motion, his whole body hunched and rocking, hair flicking as he pounds the low keys with virtuosic intensity. Read more... |
The Great Escape Festival 2019, Brighton review - a juicy smörgåsbord of new music from all overTuesday, 14 May 2019
Now going for over a dozen years, ever-busier since Live Nation took over its parent company in 2015, The Great Escape Festival is the annual multi-venue band showcase and music conference which sees Brighton swamped with... Read more... |
Better Oblivion Community Center, Shepherd's Bush Empire review - a winning combinationMonday, 13 May 2019
Better Oblivion Community Center may be a supergroup of sorts, but the name still draws less recognition that its members (Phoebe Bridgers and Conor Oberst from Bright Eyes). Maybe it’s just too complicated to remember, because a packed Shepherd’s Bush Empire proved the band’s wide appeal – lairy lads and muso pensioners, side-by-side for a night of charm and angst. Read more... |
Reissue CDs Weekly: Manfred Mann, The Searchers, The YardbirdsSunday, 12 May 2019
Repackaging and resuscitating the catalogues of endlessly reissued bands is fraught. By their nature, completists already have everything and the casually interested are not fussed by alternate versions of obscure tracks or disinterred lo-fi live recordings. It’s challenging to freshen up or put new spins on predominantly familiar material by endlessly reissued bands. Preaching to the converted is frequently the best which can be hoped for. Read more... |
theartsdesk on Vinyl 49 - Part 1: Keith Richards, Asian Dub Foundation, Popul Vuh, Nirvana, Cage the Elephant and moreSaturday, 11 May 2019
Due to exciting matters beyond theartsdesk on Vinyl’s control there’s been a slight delay to this month’s edition but, never fear, to ensure we cover all that’s juicy, we’re doing a special two-volume version, with Part 2 coming next week. Watch this space. Read more... |
Hugh Jackman, SSE Hydro, Glasgow review - showman plays to his strengths as he kicks off world tourFriday, 10 May 2019
“I hope you’re not only Wolverine fans or this is going to be a long night,” a grinning Hugh Jackman tells a screaming Glasgow crowd. Read more... |
Catfish and the Bottlemen, Cardiff Motorpoint Arena review - irrepressible arena rockTuesday, 07 May 2019
For a time, it looked like Catfish and the Bottlemen might finally be the next-gen guitar band with crossover appeal. Though that never quite came to pass, their new show promoting latest album The Balance proves why the indie faithful value them as Britain’s guiding light. Read more... |
British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!Tuesday, 07 May 2019
The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart. Read more... |
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