mon 21/07/2025

New Music Reviews

Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79

Sebastian Scotney

When it comes to the true jazz legends capable of filling concert halls with faithful fans, whom jazz festival programmers can put on as headliners, the choice is dwindling.

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CD: Beck - Hyperspace

Owen Richards

Beck stands on the front cover of his new album Hyperspace with a vintage Toyota and Japanese text resplendent above. It’s the perfect scene setter for an album you could easily imagine soundtracking a midnight drive through Tokyo. Or if the lyrics are anything to go by, an intergalactic voyage.

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Reissue CDs Weekly: The Clash - London Calling

Kieron Tyler

In a first for this column, what’s cropping up is a cassette reissue. The Clash’s third album is so familiar, going into what it is or was in any depth is redundant but it’s worth considering what’s going on here.

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Jazz Voice, Royal Festival Hall - engulfing beauty and hidden gems

peter Quinn

Jazz Voice unfailingly supplies a gigantic sugar-rush of auditory pleasure, and this year’s edition was no exception. Arranged, scored and conducted by the brilliant Guy Barker, the evening’s opener saw rising US vocalist Judi Jackson and the EFG London Jazz Festival Orchestra transform Nirvana’s brooding “Come As You Are” into a swaggering, Vegas-style workout.

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Craig David, BBC Radio 2 review - what's your flava?

Katherine Waters

My friend, let’s call her Kit, is having a rubbish time. Kat (that’s me) is too. If life’s got a flavour, it’s a shade darker than 99% cocoa. Kit and Kat are bitter. But if life is akin to boxed chocolates (or even foil-wrapped), there’s an entire world of tastes out there. What better than to add some sweetness, stir in some sugar? That’s where Craig comes in. Oh, Craig!

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theartsdesk on Vinyl 54: The Beatles, Prince, Kid Acne, Nirvana, Teebs, Monty Python, Pulp and more

Thomas H Green

Without further ado, slightly delayed by the sheer volume of releases at this year time of year, here is the latest edition of theartsdesk on Vinyl. You will not find a more extensive monthly report on the goodies newly available on plastic anywhere on the internet. Every conceivable genre is theartsdesk on Vinyl’s game so dive in and get involved!

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Vampire Weekend, O2 Academy, Birmingham review – clean-cut Americans fail to ignite

Guy Oddy

By the time Vampire Weekend reached Birmingham on their latest UK jaunt, they had unfortunately managed to mislay their support band, the colourful Songhoy Blues. This was a great shame, as the Malians would surely have added a bit of colour to the early part of an evening that would most certainly have benefitted from a bit of light and shade.

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Reissue CDs Weekly: Yesterday Has Gone - The Songs of Teddy Randazzo

Kieron Tyler

“It's Gonna Take a Miracle” just missed out on a mainstream US Top 40 placing after The Royalettes issued it as a single in June 1965. But the song had staying power.

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Ólafur Arnalds presents OPIA, Southbank Centre review - many strange delights

Chris Harvey

Ólafur Arnalds is almost secretly huge. Millions adore the melancholy beauty of the Icelandic composer’s music, yet his name still brings blank stares from some.

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CD: Luke Combs – What You See Is What You Get

Ellie Porter

With US number one singles and Grammys coming out of his ears, a record-breaking streak at the top for debut album This One’s For You and collaborations with country big-timers aplenty, Luke Combs is riding high.

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