New Music Reviews
Charlie Cunningham, Queen Elizabeth Hall review - Spanish guitar and strong songsFriday, 14 June 2019
In a post Ed Sheeran world, with a glut of acoustic singer-songwriters like Lewis Capaldi, Tom Walker or Odell, James Bay, Jack Savoretti – all of whom are big on poignantly penned balladry, phonic flair and harmonious melody – is there room for another young male artist to make waves in the indi-folk arena? Read more... |
Lenny Kravitz, O2 review - gloriously joyful rock 'n' rollWednesday, 12 June 2019
“Lenny’s coming! Lenny’s coming!” When the lights go down at the O2 tonight, it’s not just the small child behind us who’s excited. Read more... |
Bob Dylan Special - Rolling Thunder Revue, NetflixTuesday, 11 June 2019
Tomorrow, Martin Scorsese delivers, via Netflix, two hours and 22 minutes of screen time devoted to Bob Dylan’s Rolling Thunder Revue, following on from the release last week of the latest Bootleg Series boxed set, 14... Read more... |
Reissue CDs Weekly: Marty WildeSunday, 09 June 2019
Although Marty Wilde will forever be inextricably linked with the late 1950s British rock ‘n’ roll wave he rode, his career did not peter out as musical styles transformed. While he didn’t have the high-profile mutability of Cliff Richard or claim a niche like the moody Billy Fury, he was enviably chameleonic. Read more... |
The Mystery of the Bulgarian Voices with Lisa Gerrard, Queen Elizabeth Hall review - voices from another worldSaturday, 08 June 2019
A hushed expectation filled the Queen Elizabeth Hall on Friday night in advance of the return on stage of the legendary Le Mystère des Voix Bulgares (now rebranded as The Mystery of the Bulgarian Voices), who graced Kate Bush’s 1989 classic The Sensual World with their astonishing style of throat singing, combining drones, quarter tones and complex rh Read more... |
Alfredo Rodriguez and Pedrito Martinez, Ronnie Scott's review - Cuban wizards of piano and percussionTuesday, 04 June 2019
Percussionist Pedrito Martinez is one of those musicians who forces you to re-think what instruments are capable of – while making you wonder if there is actually anything he can’t do. He plays congas, batá drums and bongos with breathtaking facility and flow. He sings everything from Yoruba chants to “Quizás”. He dances. Read more... |
theartsdesk at Red Rooster Festival 2019 - bustling Suffolk stately home hoedownTuesday, 04 June 2019
Only those who’ve just popped in from an early 20th century Tennessee cotton field will have recently observed more pairs of dungarees in one place than at Red Rooster. It’s a festival that prides itself on a rich diet of Americana alongside a defiantly retro aesthetic. Read more... |
Bon Iver, All Points East festival review – powerful, poignant and a little bit weirdMonday, 03 June 2019
With thousands of people trooping in to see headliners including The Strokes, Bring Me the Horizon, Mumford and Sons and, tonight, Bon Iver, this corner of London’s beautiful Victoria Park has become a bit of a dustbowl – and the dust certainly gets kicked up as the 10-day festival concludes. Read more... |
Reissue CDs Weekly: JeanetteSunday, 02 June 2019
Jeanette’s “Porque Te Vas” is a prime example of a type of Europop which – beyond a brief flirtation around 1968 to 1971: think Clodagh Rogers – Britain had little time for. It’s not quite schlager, but still has the tell-tale martial rhythm. The singing voice conforms with the breathy stereotype still favoured in France. Read more... |
Michael Bublé, O2 Review – an entertainer second to noneSaturday, 01 June 2019
“How did all these people get in my room?” the greatest crooner of them all once quipped, as he threaded his way through the Count Basie Orchestra and out onto the stage at The Sands in Las Vegas. But whereas Sinatra in 1966 had to convince an audience of just 600 people that they were seeing an intimate show, Michael Bublé sets himself the task of doing the same for 20,000. Read more... |
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