sat 21/09/2024

New Music Reviews

theartsdesk at Glastonbury Festival 2018

Caspar Gomez

Daft Punk! Kendrick Lamar! The Kinks! Yes! We blew the lid off!

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theartsdesk on Vinyl 40: Talking Heads, Ornette Coleman, Crayola Lectern, Brian Eno, Ash and more

Thomas H Green

Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the assembled that, “People pay for vinyl not because they have to but because they want to - they want a physical representation of their emotional connection with an artist." There was a general agreement that vinyl collectors and fans account for the majority of sales, but...

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David Byrne, Eventim Apollo review - twice in a lifetime?

Peter Culshaw

Forgive the sports metaphor, but David Byrne knocked this one out of the park.

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The Rolling Stones, Twickenham Stadium review - until the next goodbye?

Tim Cumming

Eel Pie, the tiny eyot in the Thames, is not too a long walk from Twickenham stadium – within hollering distance, almost, if you had that kind of voice. And if anywhere could lay claim to being the nursery that provided the perfect growing conditions for The Rolling Stones, then Eel Pie and The Crawdaddy in Richmond would be it.

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Scorpions/ Megadeth, O2 Arena review - by turns lavish, silly and exhilarating

Russ Coffey

Scorpions stepped on stage wearing leather jackets and shades, and launched straight into "Going Out With a Bang". For a band who, only a few short years ago, were tempted by retirement, the song was a statement of intent. "No sign of slowing down," went the words. And boy did they mean it.

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Paloma Faith, Bedgebury Pinetum review - positive pop in a woodland setting

Katie Colombus

There is a real festival ambience to this quintessentially English field-gig, set amidst the stunning forests of Bedgebury Pinetum as part of the Forestry Commission’s Forest Live concert series. Groups of 40-something chino-clad daahhlings lay out their Joules picnic blankets and luxury camping chairs as visions of the local Waitrose being positively looted for champers and strawbs dance in my mind.

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Reissue CDs Weekly: The Rose Garden

Kieron Tyler

The Rose Garden didn’t linger in the bright lights but for those inclined towards harmony pop their name resonates due to the quality of their sole album rather than memories of them as a one-hit-wonder.

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CD: Soulwax - Essential

Owen Richards

It took Soulwax 12 years to release 2017’s From Deewee, a triumphant one take clash of live drums and electronic wizardry. It’s taken less than 12 months for their follow-up; at their current rate, we can expect another release sometime next weekend. As described in an opening voice-over, this is an “essential mix” equivalent to a mixtape, originally created for a BBC Radio 1 session.

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theartsdesk at Download Festival 2018: three days of metal mayhem

theartsdesk

Since Glastonbury lies fallow this year, Download is the biggest British green field festival of the summer. 100,000 souls gathered to celebrate the canon of metal on the land around Donington Park racing circuit.

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Reissue CDs Weekly: Gene Clark

Kieron Tyler

“Past My Door” weaves together a series of leitmotifs. Beginning as a downbeat, mid-tempo shuffle, it then shifts into a staccato passage after which the tempo picks up before a more pacey section. Next, the character established at the song’s introduction returns. Over four-minutes 20 seconds, the different approaches are supported by oblique lyrics which include the memorable phrase “too late, cries the melting snowman".

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