tue 14/01/2025

New Music Reviews

Reissue CDs Weekly: Gathered From Coincidence

Kieron Tyler

It might have begun with The Beatles espousal of Bob Dylan in 1964. There was also The Animals whose first two singles, issued the same year, repurposed tracks from Bob Dylan’s 1962 debut album. Before The Byrds hit big with their version of his “Mr.

Read more...

Reissue CDs Weekly: Max Richter

Kieron Tyler

When The Blue Notebooks was originally released in February 2004, it did not seem to be an album which would have the afterlife it has enjoyed. It had little context. Max Richter’s second album was his first for the 130701 label which, at that point, had not yet set out its stall.

Read more...

Gary Numan, Assembly Hall, Worthing review - hot and hammering

Thomas H Green

Arriving back onstage for an encore a broadly smiling Gary Numan bathes in roared football chants of “Numan! Numan!”. He tells us it’s just over 40 years since he released his first single, “That’s Too Bad”, but that he and his tight four-piece band are going to make a “bad attempt” at playing it. He’s wrong. It’s one of the best-delivered songs of the night, sounding Seventies punky to the delight of the crowd, many of whom clearly recall the era.

Read more...

theartsdesk at Cornbury: Pixie Lott, Amy MacDonald and Alanis Morissette

Katie Colombus

Cornbury Festival holds a very special place in my heart. When the babies were young, we realised that if we were going to be up all night without sleep we might as well be sat in a field listening to music rather than staring out of the window at a dreary North London street.

Read more...

theartsdesk on Vinyl 41: Kali Uchis, Orange Goblin, Kirsty MacColl, Walton, Miss Red and more

Thomas H Green

Summer’s here and the time is right for dancing in the street. To vinyl. Only theartsdesk on Vinyl doesn’t just cover music for dancing, it covers every style of music imaginable (with a good showing for pop this month).

Read more...

Paul Simon, BST Hyde Park review - still sprightly after 76 years

Sebastian Scotney

"Homeward Bound – the Farewell Tour", they were calling it. But with a show this strong, nobody would complain if that farewell were to turn out at some point not to be absolutely final.

Read more...

Preoccupations, The Haunt, Brighton review - energetic set struggles to win over audience

Javi Fedrick

Hailing from Canada and born from the ashes of cult indie heroes Women (the band responsible for that chiming Calgary guitar sound), Preoccupations haven’t let up since their first LP Viet Cong was released just three years ago.

Read more...

Reissue CDs Weekly: Kamal Keila

Kieron Tyler

Music from Sudan is overshadowed by the country’s recent history. At the end of June 1989, Colonel Omar al-Bashir assumed control and it became a one-party state. Shariah law was introduced. Osama Bin Laden was resident in capital city Khartoum from 1991 to 1996. Tension between the mostly Muslim north and mostly Christian south undermined any facade of stability al-Bashir sought to impose. The south was declared independent in 2011.

Read more...

Mavis Staples, Union Chapel review - grand gospel dame still doin' it at 79

Ellie Porter

“We have come here tonight,” announces Mavis Staples, “to bring you some joy, happiness, inspiration - and positive vibrations!” It’s a declaration that the irrepressible Mavis, celebrating her 79th birthday today, routinely makes at her concerts - and she never fails to deliver.

Tonight is the second of two sold-out nights at Islington’s beautiful Union Chapel, a much-loved venue that’s perfect for Mavis’ brand of joyous, reverent and...

Read more...

Eric Clapton, Carlos Santana and Steve Winwood, BST Hyde Park review - the Clapton faithful in their droves

Sebastian Scotney

Would we see any of the three guitar-toting rock legends together? Yes, we would. Two of them, if briefly. Carlos Santana came back just before 10pm to join Eric Clapton’s band for the encore of their set, a quick valedictory burn-through of Joe Cocker’s tune “It’s High Time We Went”.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Leif Ove Andsnes, Wigmore Hall review - colour and courage,...

Forthright and upright, powerful and lucid, the frank and bold pianism of Leif Ove Andsnes took his Wigmore Hall audience from Norway to Poland (...

American Primeval, Netflix review - nightmare on the Wild Fr...

It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...

Chamayou, BBC Philharmonic, Wigglesworth, Bridgewater Hall,...

Top Brownie points for the BBC Philharmonic for being one of the first (maybe the first?) to celebrate the birth centenary of Pierre Boulez this...

The Maids, Jermyn Street Theatre review - new broom sweeps c...

There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...

Gala Preview Show, De Montfort Hall review - Leicester Comed...

Europe's biggest comedy festival, which showcases established stars,...

Album: Moonchild Sanelly - Full Moon

Rooted in South African electronic styles such as...

The Second Act review - absurdist meta comedy about stardom

Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...

Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...