New Music Reviews
Reissue CDs Weekly: Robert KirbySunday, 11 March 2018
The similarity is intentional. The cover design of When the Day is Done – The Orchestrations of Robert Kirby nods explicitly to that of Nick Drake’s debut album Five Leaves Left. That wasn’t just the first record by the singer-songwriter, it was also first time most people heard Kirby’s string arrangements. He and Drake had been friends at Cambridge University. Read more... |
Scott Bradlee’s Postmodern Jukebox, Roundhouse - hits and missesThursday, 08 March 2018
There are good musical reasons why it might never have occurred to you to wonder how Lady Gaga would sound if adapted by Duke Ellington; Radiohead by Sidney Bechet; or Bruce Springsteen by Frank Sinatra. Read more... |
Reissue CDs Weekly: Zoot Money's Big Roll BandSunday, 04 March 2018
“That colourful character Zoot Money has recently been writing at length in support of psychedelic music. Now, what’s the score Zoot, has it got a contribution to make to the scene?” It’s 14 January 1967 and BBC presenter Brian Matthew is putting his guest on the spot. Read more... |
theartsdesk on Vinyl 37: Cocteau Twins, Stranger Things OST, Watain, Ryuichi Sakamoto and moreTuesday, 27 February 2018
Without further ado, let’s cut straight to it. Below theartsdesk on Vinyl offers over 30 records reviewed, running the gamut from Adult Orientated Rock to steel-hard techno via the sweetest, liveliest pop. Dive in! VINYL OF THE MONTH 1 Zoë Mc Pherson String Figures (SVS) Read more... |
Reissue CDs Weekly: The Voyager Golden RecordSunday, 25 February 2018
What is music? When pondering archive releases, compilations and reissues the question doesn’t come up. Knowledge of context and history means there’s never a need to muse on this fundamental issue. A package, say, dedicated to Northern Soul says what it is and the prime considerations are how well it has been executed and defining its place in the relevant narrative. Read more... |
Reissue CDs Weekly: The ChoirSunday, 18 February 2018
During the British Invasion years, a Cleveland, Ohio band called The Choir ploughed a Brit-focussed furrow from late 1964. Initially and tellingly, they were named The Mods. Their prime mover, Dann Klawon, was a subscriber the switched-on UK monthly Rave, had missed a Mods show to hitch-hike to a Rolling Stones concert and was the first Clevelander to own a copy of “Purple Haze”. Read more... |
Kendrick Lamar, Manchester Arena review - Kung-Fu Kenny sets the stage alightSunday, 11 February 2018
Kendrick Lamar has never been afraid to experiment. Read more... |
Reissue CDs Weekly: Jon Savage's 1965Sunday, 11 February 2018
For Britain, 1965 began with The Beatles’ “I Feel Fine” at the top of the single’s chart. In December, the year bowed out with their double A-side “Day Tripper” / “We can Work it Out” in the same position. But 1965 was not just about The Beatles. Read more... |
Khruangbin, SWX, Bristol review - stoned stew of global sounds hits the markSaturday, 10 February 2018
Texan trio Khruangbin are a rare concoction, psychedelic rockers, for sure, but seamed with all manner of global influences, notably Thai pop but also running the gamut from Latin sounds to Middle Eastern scaling. Hitting the UK in support of their second album, Con Todo El Mundo, they initially... Read more... |
Reissue CDs Weekly: Chris HillmanSunday, 04 February 2018
In 1976, when his first solo album Slippin’ Away was released, Chris Hillman could look back on being a founder member of The Byrds and The Flying Burrito Brothers, two of America’s most important bands. He had also played alongside former members of Buffalo Springfield in Manassas and The Souther-Hillman-Furay Band. Read more... |
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