New Music Reviews
Malcolm Middleton, Brighton Festival review - mordant brillianceFriday, 25 May 2018
Before starting this review a decision was taken: that the over-used description of singer-songwriter Malcolm Middleton as a “Scottish miserablist” would not appear. However, this has proved impossible. Middleton is renowned, to the coterie who enjoy his music, for songs ripe with dejection but the first half of his set tonight is especially heavy with stark soul-searching. Read more... |
The Rolling Stones, London Stadium review - only rock'n'roll?Wednesday, 23 May 2018
As the veteran combo roll around one more time, five years after they last performed in the UK, many a ticket-buyer for their No Filter tour has taken the view that, as the Stones once sang, this could be the last time. Read more... |
A Change is Gonna Come, Brighton Festival review - lively, winning jazz adventureWednesday, 23 May 2018
Watching this band in action is a treat. They gel absolutely and play off one another in a manner that’s easy and mellow, yet also sparks by occasionally teetering on the edge of their virtuosic abilities. Read more... |
Reissue CDs Weekly: African Scream Contest 2Sunday, 20 May 2018
African Scream Contest 2 opens with a burst of distorted guitar suggesting a parallel-world response to The Chambers Brothers’ “Time Has Come Today”. Then, the song beds in and a James Brown groove plays off against spindly lead-guitar lines also evoking California in the psychedelic era: the extemporisation of Jefferson Airplane. At 3.06, the vocalist and percussionist are left to get on with it for 30 seconds. Read more... |
Robbie Thomson XFRMR, Brighton Festival review - lightning strikes outSunday, 20 May 2018
The welcome to Glasgow audio-visual artist Robbie Thomson’s performance engenders a hefty sense of anticipation. It’s almost nervousness-inducing as we’re handed ear-plugs and warned about how very loud it’s going to be. Then, walking into the main hall from the bar, all is gloom. Read more... |
An Audience with Dame Cleo Laine, RFH review - a phenomenon at 90Saturday, 19 May 2018
Yes, she sang, with her trademark artistry from the very first notes – four numbers, including a duet with daughter Jacqui Dankworth, and all in close partnership with her consummate players, including son Alec on double bass. Read more... |
theartsdesk on Vinyl 39: Pink Floyd, Liines, Black Sabbath, Daniel Avery, Elvis and moreThursday, 17 May 2018
There have been reports that as many as 50% of vinyl-buyers don’t actually listen to it. They keep records as a token of affection for the artist in question. This seems curious but, then again, most young people don’t own turntables and the idea is anathema to the way they consume music. Read more... |
The Last Poets, Brighton Festival review - black power sets the night alightWednesday, 16 May 2018
The venom with which Abiodun Oyewole spits “America is a terrorist”, the key repeated line to “Rain of Terror”, has startling power. The piece is an unashamed diatribe against his nation. Beside him his partner Umar Bin Hassan rhythmically hisses the word “terrorist” again and again while, behind, percussionist Donn Babatunde provides minimal backing on a set of three congas. Read more... |
Hailey Tuck, Rich Mix review - delightful but wobblyWednesday, 16 May 2018
At the age of 18, Texan jazz singer Hailey Tuck cashed in her college fund for a one-way plane ticket. leaving a military boarding school in Texas for the Voltaire district of Paris, to immerse herself in jazz clubs and vintage markets. Nearly a decade on, which she’s divided between the performance spaces of Paris, France, and Austin, Texas, her old-school approach to learning her craft has paid off... Read more... |
Reissue CDs Weekly: Yung WuSunday, 13 May 2018
When Crazy Rhythms, the ever-fabulous first album by New Jersey’s Feelies was issued in April 1980 it seemed to have little local context. Although the band’s fidgetiness suggested a kinship with Talking Heads and there were a clear nods to The Velvet Underground, it felt more of a piece with contemporary British post-punk bands Josef K and The Monochrome Set than anything American. Fittingly, Eno's first two solo offerings also fed into the album. Read more... |
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