tue 10/06/2025

New Music Reviews

Reissue CDs Weekly: Gerry & The Holograms

Kieron Tyler

It’s been suggested that New Order’s “Blue Monday” borrowed from Gerry & The Holograms’ eponymous 1979 A-side.

Read more...

Olly Murs, 02

Katie Colombus

Olly Murs seems to have monopolised the market on teenage girls and their middle-aged mums - the ultimate X-Factor audience that's followed his journey from the show eight years ago.

Read more...

theartsdesk on Vinyl 26: George Harrison, Vitalic, Scott Bradlee and more

Thomas H Green

Record shops are now doing good business in the UK. Just five years ago, who’d have thought that could happen? So does the current fetishisation of vinyl mark a growing desire to be back to physical formats, rather than disembodied technologies?

Read more...

Car Seat Headrest, Electric Ballroom

Javi Fedrick

Seattle-based rockers Car Seat Headrest finally burst their cult bubble with their 13th album, last year’s Teens of Denial, which found veteran songwriter Will Toledo combining Nineties indie, post-punk nihilism and ...

Read more...

Reissue CDs Weekly: Wigwam

Kieron Tyler

Over 1972 to 1975, Finland staged a small-scale invasion of Britain. A friendly one, it was confined to music. First, the progressive rock band Tasavallan Presidentti came to London in May 1972 and played Ronnie Scott’s. The Sunday Times’ Derek Jewell said they were “frighteningly accomplished” and that readers should “watch them soar”.

Read more...

Craig David, Brighton Centre

Thomas H Green

Craig David’s two-hour show, in two parts, receives an ecstatic response in Brighton. The audience, dominated by women in their twenties, is loudly vocal in their appreciation, apparently knowing every word to every song on his six albums. It feels as if you might jump from the balcony, where I’m seated, and surf across the shimmying capacity crowd, buoyed up solely by the rising waves of love for this man.

Read more...

Reissue CDs Weekly: Chuck Berry

Kieron Tyler

When a skiffle group called The Quarry Men played live in 1959, their repertoire included covers of Chuck Berry’s “Johnny B. Goode” and “Sweet Little Sixteen”. The folk-based skiffle was becoming rock. In 1960, when the same band became The Beatles, they added Berry’s “Carol” and “Little Queenie” to their set.

Read more...

theartsdesk in Bergen: Questions upon questions at Borealis Festival

joe Muggs

There comes a point in any experimental music festival when you have to accept the silliness and go with it. And at Borealis, that point comes very early.

Read more...

Lula Pena, Café Oto

Peter Culshaw

Lula Pena is a Portuguese singer who takes fado (or "phado" as she calls it) into new directions and musical horizons. She is one of the most intense performers you are likely to hear and, with only three albums in the last 20 years, keeps a lowish profile. She inspires fierce cult-like loyalty among fans, and had sold out the adventurous Café Oto, located in hipster central, Dalston.

Read more...

Reissue CDs Weekly: Kitchens of Distinction

Kieron Tyler

Albums are not meant to be heard this way. Collecting a band's output in one package inevitably obscures that what’s being heard might have been recorded and released over years. The listening time may be five or six hours, but eighteen months could have separated albums when they were originally released. Messing with time messes with reality.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Saul, Glyndebourne review - playful, visually ravishing desc...

This thrilling production of Saul takes Handel’s dramatisation of the Bible’s first Book of Samuel and paints it in...

Album: Marina - Princess of Power

Marina Diamandis is a proper pop star, brilliantly full-on...

The Gold, Series 2, BBC One review - back on the trail of th...

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...

Eva Quartet, St Cyprian's review - polyphonic bliss

Eva Quartet are four outstanding Bulgarian voices of polyphonic purity and depth, drawn from the legendary choir Le Mystere des Voix Bulgares, who...

Album: Mary Chapin Carpenter - Personal History

In those seemingly long-ago times of loneliness and lockdown, artists around the world invited us into their kitchens and living rooms as they...

Così fan tutte, Nevill Holt Festival/Opera North review - re...

Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should fill, their...

Music Reissues Weekly: Gather In The Mushrooms

“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne...

Big Star: The Nick Skelton Story review - the ways of a man...

If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors...