wed 16/07/2025

New Music Reviews

theartsdesk at the 2014 Glasgow Jazz Festival

Nick Hasted

Saturday commuters sprinting for the 17.33 to Ardrossan find themselves dodging an obstacle course of swing-dancing young couples, soundtracked by a pensionable trad jazz band. A shifting crowd of about 100 pause in their journeys at Glasgow Central station to enjoy Penman’s Jazzmen, skilful Scottish veterans comfortable with each other and the demands of this century-old New Orleans music.

Read more...

Bobby Womack: It's All Over Now

Jasper Rees

It’s presumably just a freak of scheduling that on the night the Rolling Stones threw up the bunting across town, an artist to whom they owe a whole heap of thanks was hosting a party of his own. Bobby Womack was the songsmith who co-supplied the scruffy young covers band with their first number one. “It’s All Over Now” was released by the Stones in July 1964 only a month after The Valentinos’ original version.

Read more...

Reissue CDs Weekly: The United States of America

Kieron Tyler

 

The United States of AmericaThe United States of America: The United States of America – The Columbia Recordings

Read more...

Reissue CDs Weekly: C86, The Motown 7s Box

Kieron Tyler

 

C86Various Artists: NME C86, The Motown 7s Box – Rare and Unreleased Vinyl Volume 2

Read more...

Melanie De Biasio, Purcell Room

Kieron Tyler

It’s statement of intent to open your first British headlining show with a 15-minute version of an album track which lasts a minute and three-quarters – from an album which itself lasts barely more than 30 minutes. And then to riff on it, incorporating elements from a debut album which barely anyone beyond your native country has heard.

Read more...

Reissue CDs Weekly: Dead Moon

Kieron Tyler

 

Dead Moon In the GraveyardDead Moon: In the Graveyard, Unknown Passage, Defiance

Read more...

Pat Metheny Unity Group, Eventim Apollo

Matthew Wright

The Eventim (Hammersmith) Apollo, where Pat Metheny’s Unity Group last night gave a spellbinding, if sometimes baffling, performance, has hosted a goodly range of gigs in its time. Few of these can have offered such diversity within a single evening. Piece after piece left last night’s audience whooping with exhilaration, though Metheny’s fondness for mechanical innovation briefly threatened the audience’s otherwise adoring reception.

Read more...

Field Day, Victoria Park

Katherine McLaughlin

Decidedly diverse in its musical offerings as ever, this year’s Field Day, which for the first time was spread over two days with the Pixies as a fitting finale, was gifted with glorious sunshine and a chipper ambience. Fresh ferocious voices breaking out and established names reaching back to their roots made for a harmonious mix of boldness and greatness.

Read more...

Reissue CDs Weekly: Too Slow to Disco

Kieron Tyler

 

Too Slow to DiscoVarious Artists: Too Slow to Disco

Read more...

Arcade Fire, Earls Court

Aimee Cliff

When you have quite as much going on as 10-piece (in their current form) experimentalist Canadian indie band Arcade Fire do, it’s hard to know where to look. It’s a fact they’re aware of, and it seems like they even riff on it quite heavily with the overwhelming presence of the fragmented, fractured aesthetic of their latest album Reflektor at Earls Court, on the first of their two-night run.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Album: The Near Jazz Experience - Tritone

As the name suggests, the Near Jazz Experience owe a huge musical debt to jazz, but that’s not the full story by any means. For a start, the...

Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Superman review - America's ultimate immigrant

A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...