fri 26/09/2025

New Music Reviews

Foo Fighters, Olympic Park

Matthew Wright

“There goes my hero,” sang the Foo Fighters at the end of the Invictus Games last night. True to form, the Foo Fighters’ performance was a barrage of energy and goodwill, which closed the games - characterised by much the same - on an all-round high.

Read more...

Mulatu Astatke, Royal Festival Hall

Peter Culshaw

It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater sense of wonderful disorientation, or as Brian Eno put it “jazz from another planet,” with Astatke’s music.

Read more...

Reissue CDs Weekly: Game Theory

Kieron Tyler

 

Game Theory Blaze Of GloryGame Theory: Blaze of Glory

Read more...

Blondie, O2 Academy, Birmingham

Guy Oddy

Blondie may have been around the block a few times since they got together in New York in 1974, but they seemingly have no intention of settling into a comfortable existence of just playing the hits to ever-diminishing artistic returns. Their present set-list features large swathes of recent album Ghosts of Download, as well a fair amount of other unlikely surprises in between the tunes that provided a soundtrack to the teenage years of many of their now-greying audience.

Read more...

Elbow, Roundhouse

Heidi Goldsmith

Punctually, following a tension-building countdown, Elbow entered the blue-lit stage at London’s legendary Roundhouse, beers in hand, and gestured the 1500-strong audience into a mass toast. With his slight stoop, soft Manchester accent and wayward estate-agent appearance Guy Garvey’s frontman persona takes more from familiar folk Daddies like Loudon Wainwright III than from the styled superstars also headlining at the iTunes Festival.

Read more...

Prom 74: Wainwright, Voigt, Britten Sinfonia, Debus

David Nice

Swathes of this year’s final Late Night Prom were so invertebrate, amateurish even, that I was tempted to go home and throw out my Want One and Want Two CDs. I won’t, of course: Canadian American singer-songwriter Rufus Wainwright has written some fabulous songs, and developed a unique vocal style to deliver them.

Read more...

Art Garfunkel, Royal Festival Hall

Fisun Güner

The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away from Paul Simon, from whom he split in 1970, Garfunkel has had a long, stop-and-start solo career, occasionally writing and recording his own songs but mainly singing other people’s, including those unforgettable Simon hits.

Read more...

theartsdesk at Bestival 2014: Full Biochemist's Report

Caspar Gomez

Sometimes you don’t escape. Even for those of us with a sturdy frame and a good track record, every now and then, enjoying the ride means taking the pummelling.

Read more...

Prom 71: Time for Three, BBC Concert Orchestra, Lockhart

Matthew Wright

Aaron Copland was an unlikely musical portraitist of the American plains and prairies. Son of Jewish immigrants from Brooklyn and student of modernism with Nadia Boulanger in Paris, he nonetheless created the quintessential American orchestral sound with a series of popular (“vernacular” was his phrase) works in 1930s and 1940s. Last night three of his most popular pieces were paired with two new pieces inspired by jazz, that other great American twentieth-century music.

Read more...

Reissue CDs Weekly: Calypso Craze

Kieron Tyler


Calypso CrazeVarious Artists: Calypso Craze

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

'We are bowled over!' Thank you for your messages... ...
Lacrima, Barbican review - riveting, lucid examination of th...

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every...

Joanna Pocock: Greyhound review - on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...

Mariah Carey is still 'Here for It All' after an e...

One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...