New Music Reviews
Mick Hucknall, Hammersmith ApolloMonday, 29 April 2013
There was a point about two-thirds of the way through last night's gig when someone lobbed something onto the stage in front of Mick Hucknall. It was not clear exactly what it was due to the sea of dancing mums in front of me, but my strong suspicion is that it was something made of lace and worn below the waist judging by Hucknall's bemused declaration: "That's Tom Jones's department." Read more... |
Reissue CDs Weekly: Killing Joke, Motown, Bob Marley, The WinkiesSunday, 28 April 2013
Killing Joke: The Singles Collection 1979-2012 Read more... |
Alice in Chains, The Fillmore, MiamiSaturday, 27 April 2013
Reformed rock bands may be ten-a-penny but no other return quite matches the resurrection of Alice In Chains. The first grunge band to break big with their 1990 debut album Facelift, Alice In Chains matched Nirvana both in their ability to marry heavy riffs with haunted melodies and a genuinely desperate sense of despair: on Facelift they sang "We Die Young" while 1992’s Dirt finds nearly every song mined with self loathing alongside odes to heroin. Read more... |
Liane Carroll, Pizza Express Jazz ClubSaturday, 27 April 2013
Some vocal jazz can be so anodyne that it barely registers on your consciousness, as anyone who's ever heard a jazz wannabe dusting down “My Funny Valentine” will know. A Liane Carroll gig, on the other hand, offers a roller coaster ride of emotions: joy, pain, hope, loss. With the ability to make every song sound like a personal experience, Carroll is one of the few singers who can make your spine tingle for an entire set. Read more... |
Karl Hyde, Union Chapel IslingtonFriday, 26 April 2013
I have to admit I was That Hipster with Underworld: loved them circa 1991, stopped being intensely interested around the first album, diverged almost completely after “Born Slippy” went supernova circa 1995. Read more... |
Pink, O2 ArenaThursday, 25 April 2013
On Monday, Pink shocked Twitter followers by announcing she was pulling out of a gig at Birmingham’s LG Arena. A lung infection had confined her to the hotel. “She better get well soon,” said one fan. “I’d die if she cancelled at the O2.” She didn’t, of course. Whether due to an awful lot of oranges or sheer guts she arrived on stage last night, catapulted by giant bungee cords. Read more... |
CD: Kit Downes - Light From Old StarsThursday, 25 April 2013
The CD booklet note by NASA astrobiologist Daniella Scalice is just the first of many striking features on this third Basho CD by the Mercury Prize-nominated pianist Kit Downes. Joined by his core trio of bassist Calum Gourlay and drummer James Maddren (both fellow alumni of the Royal Academy of Music), plus reeds player James Allsopp and cellist Lucy Railton, Light From Old Stars sees Downes really getting into his compositional stride. Read more... |
Orpheus, Battersea Arts CentreTuesday, 23 April 2013
Orpheus, set in an imaginary Paris in the 1930s, delivers an unashamedly escapist and a quite delightful evening's entertainment. The Orpheus myth is often a pretext for fantasy or fun. Maybe the original, tragic tale is just too unremittingly dark and poignant. Read more... |
Buika and London Lucumi Choir, Union ChapelMonday, 22 April 2013
The choir sing off stage at first, under the wide arch to the side before filling the platform and singing the praises of Cuba’s Orisha spirits. Those Orisha guys must be shining like beads on a necklace. Lucumi were finalists in the 2008 BBC Choir of the Year, and they’re a multicultural London choir putting their voices at the service of Afro-Cuban music traditions, where it all begins with the hands and mouth. Read more... |
Wiley, The ForumSunday, 21 April 2013
It was a full house in Kentish Town for a homecoming show for grime pioneers Wiley, Skepta and JME. A far cry from the Sidewinder and Eskimo Dance parties that spawned so many of the scene’s main players, instead this was a night that carried an air of triumph, a "we made it" moment that inspired explosive performances and a fantastically receptive audience. Read more... |
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