sat 25/01/2025

New Music Reviews

Mark Lockheart, Kings Place

peter Quinn

Suddenly, it's raining Duke Ellington homages. Stateside, there's Terri Lyne Carrington's Money Jungle: Provocative in Blue, a brilliant reimagining of Ellington's classic 1963 trio recording with Charles Mingus and Max Roach that recently hit the top spot on the JazzWeek radio chart.

Read more...

Tomatito, Sadler's Wells

james Woodall

He looks the part: straggly, desert hair and haunted fizzog. He sounds the part: opening dry rhythmic strumming over unchorded strings; acrobatic trills; percussive attack. Flanked on the left by two singers, Kiki Cortinas and Simón Román, and a shadowy dancer, Paloma Fantova, and on the right by second guitarist El Cristi and percussionst Israel Suárez, this flamenco stalwart decked out the Sadler’s Wells stage with the requisite musical equipment.

Read more...

David Bowie Is, Victoria & Albert Museum

howard Male

How much more of a melancholy experience walking round this exhibition would have been if its subject hadn’t just sprung a new album on us that’s so suffused with energy and life. It’s meant that the exhibition's title - David Bowie Is – feels like a genuine statement of fact rather than just wishful thinking, at least in the literal sense.

Read more...

Reissue CDs Weekly: Bernard Herrmann, Jamiroquai, The Who, Lee Hazlewood

Kieron Tyler


Bernard Herrmann Vertigo and Music From the Films of Alfred HitchcockBernard Herrmann: Vertigo and Music From the Films of Alfred Hitchcock

Read more...

Rick Redbeard, Electric Circus, Edinburgh

graeme Thomson

Rick Redbeard has a pirate’s name and a voice like deep, dark water. Behind the colourful alter ego stands (or, as was the case last night, sits) Rick Anthony, singer of The Phantom Band, the Scottish six-piece whose two albums – Checkmate Savage and The Wants – have recently stretched the admittedly painfully limited parameters of contemporary rock music to thrilling extremes.

Read more...

Wilko Johnson, Koko

Peter Culshaw

What fire and grace on display last night at what he and we assume will be Wilko Johnson’s final London gig. It’s been a while since ticket touts were out in force outside one of his gigs (£200 for you, sir) although his career has been floating upward in the last couple of years, partly due to Julien Temple’s excellent documentary Oil City Confidential.

Read more...

Reissue CDs Weekly: Del Shannon, The Stark Reality, The Deviants, Mighty Mighty

Kieron Tyler


Del Shannon The Complete UK Singles and More (1961-1966)Del Shannon: The Complete UK Singles and More (1961-1966)

Read more...

The Ballad of Mott the Hoople, BBC Four

Kieron Tyler

“Five years,” said former Mott the Hoople fan club president Kris Needs of the band’s lifespan. “That’s how long the Kaiser Chiefs have been around, but who cares?” It seemed an unfair measure. Mott split 39 years ago and the Leeds quirksters are still going strong. But in terms of stitches in rock’s rich tapestry, Mott’s, like the Kaiser Chiefs’, probably wouldn’t darn a sock.

Read more...

Radio Rewrite, Royal Festival Hall: The Rock Review

Peter Culshaw

Like a piece of conceptual art, it may be the idea rather than the actual music that is the most significant thing about the world premiere last night of Steve Reich’s Radio RewriteThere will be a hundred times more people discussing the fact that Reich has taken on Radiohead than actually listening to it. Rather than variations, it's a 16-minute piece performed by the London Sinfonietta in which elements of a couple of Radiohead songs are referred to, often obliquely....

Read more...

Justin Bieber, O2 Arena

Russ Coffey

When Justin Bieber finally arrived on stage last night the volume of the screams from the teen audience topped 100 decibels. I know because I measured it on my iPhone. That, however, wasn’t the first deafening noise from the capacity crowd of 20,000. The previous half-hour had been punctuated by a series of boos borne out of growing frustration. Bieber had been scheduled to arrive at 8.30. By 10.25, when the stage lights started to rise, he needed one hell of an entrance.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...

An Interrogation, Hampstead Theatre review - police procedur...

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...

Album: ALT BLK ERA - Rave Immortal

The utopian messiness of 1990s dance music culture is now so far...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...

There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...

Album: Ludovico Einaudi - The Summer Portraits

Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...