fri 22/08/2025

New Music Reviews

Krystle Warren, Soho Theatre

howard Male

The last time we reviewed Krystle Warren on theartsdesk one reader responded by suggesting that it couldn’t be long before this Missouri-born singer-songwriter was as big as Beyonce (although he didn’t use that exact phrase). Yet even a 2009 performance on Later with Jools Holland didn’t have the effect it sometimes has in being the first big step up for both an artist’s sales and credibility.

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Van Morrison, Sligo Live

Tim Cumming

Sligo Live is Europe’s most westerly music festival, and its mix of indie and traditional is unique. For four nights and days, cracking traditional players fill the town’s many excellent pubs - Kennedy’s, Foley’s, the Snug, Mchugh’s and Hardagan’s - with the headliners: Wallace Bird, Lau, accordion queen Sharon Shannon, Joan Armatrading.

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Lau, Queen's Hall, Edinburgh

graeme Thomson

It’s all becoming a bit “water is wet“, isn’t it, saying how brilliant Lau are. But what else to do? Their name means “natural light” in Orcadian, which seems about right, except their vaulting, endlessly innovative take on contemporary chamber folk evokes every conceivable shade of darkness, too, and all the colours in between. Last night in Edinburgh they were simply extraordinary.

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Alt-J, Electric Ballroom

Bruce Dessau

It is not exactly Rock 'n' Roll Babylon, that's for sure. When Mercury Prize-winning quartet Alt-J assembled onstage at the Electric Ballroom last night it was more like a group of cool-looking choirboys gathering for practice with the vicar than music's hottest properties playing the final lap-of-honour gig of their current tour. After a modest "thank you" to the audience from guitar-cradling vocalist Joe Newman they were off and running.

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Reissue CDs Weekly: The Blue Nile, The Seeds, Dan Penn, Frankie Goes to Hollywood

theartsdesk


The Blue Nile: A Walk Across The Rooftops, Hats

Graeme Thomson

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The Civil Wars, O2 Academy, Glasgow

Lisa-Marie Ferla

There’s something admirable about the way that The Civil Wars have become quietly, unassumingly massive; packing mid-sized venues the length of the UK and chalking up over 100,000 copies of their debut album sold since its March release on these shores. The double Grammy-award winning, Nashville-based duo seem genuinely appreciative of a rapturous reception, and endearingly humble despite their considerable success.

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World Party, Royal Albert Hall

Peter Culshaw

“A hurricane didn’t stop me getting here,” shouted Barry from Philadelphia, and there were plenty of hard core World Party fans for whom last night at the Albert Hall was a big deal concert – the first proper tour in 10 years, coming on the back of a brick-like five-CD box of unreleased material called Arkeology.

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Chumbawamba, Leeds City Varieties

graham Rickson

And so, after 30 years, Chumbawamba are no more.

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Efterklang with the Northern Sinfonia/John Grant, Barbican

Kieron Tyler

It’s not quite Iggy Pop strutting across the hands of the crowd, but Efterklang’s singer Casper Clausen's departure from the stage reinforces the bond the Danish mood musicians have with their fans. Trying to keep upright while wobbling on the backs of seats, he is held in position by those close by. This isn’t about attracting attention, but a bridging of the gap between artist and audience.

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Michael Nesmith, Queen Elizabeth Hall

Russ Coffey

Forty years ago Michael Nesmith was the tall, woolly-hatted Monkee people called “the talented one”. Faint praise maybe, but there was nothing mediocre about the country rock albums he went on to make. Nesmith had another advantage. His mother had invented Liquid Paper giving him the financial freedom to experiment as he pleased. He soon became a true renaissance man. But according to one newspaper, by 2011 he was also increasingly reclusive and eccentric.

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