wed 18/06/2025

New Music Reviews

Diamanda Galas, Royal Festival Hall

Russ Coffey

Diamanda Galas is a woman who once wrote a book called Sh*t of God and whose avant-garde screeching on subjects like AIDS and schizophrenia frequently takes gothic into an area where it could scare bats. Her CV includes stints as a research scientist, prostitute and drug addict. Unsurprisingly, she isn’t normally seen in context. But then there aren’t many line-ups quite like Antony Hegerty’s 2012 Meltdown, where for a month dissident singers rub shoulders with twilight artists.

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theartsdesk at Camp Bestival 2012

Thomas H Green

FRIDAY 27 JULY

 

Whatever happened to roughing it? Camp Bestival is, famously, more an upmarket middle England fete than a festival in the Hawkwind-play-Stonehenge sense but, still, why would anyone queue two and a half hours for the “Posh Wash” showers? Barring a below-waist hygiene disaster, surely Wet Wipes and water are sufficient for a weekend?

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theartsdesk in The Faroe Islands: G! Festival

Kieron Tyler

Iceland’s kings of heavy metal Momentum are launching into an assault called “The Creator of Malignign Metaphors”. It’s broad daylight and they’re playing about 10 meters from the kitchen window of a suburban-looking house. The stage is sited on an AstroTurf football pitch, with one of the goals pushed to the side of it. On the opposite side, kids are shimmying down a blow-up slide. Very little about G! conforms with the standard festival experience.

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Reissue CDs Weekly: Nick Cave & the Bad Seeds, Rodriguez, Benny Spellman, Rupert's People

theartsdesk

Nick Cave & the Bad Seeds DIG!!! LAZARUS, DIG!!!Nick Cave & the Bad Seeds: Nocturama, Abattoir Blues, The Lyre of Orpheus, DIG!!! LAZARUS, DIG!!!

Howard Male

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Swing Symphony, Barbican

peter Quinn

The UK premiere of Wynton Marsalis's Swing Symphony (Symphony No 3) last night was extraordinary on several counts. We heard, first and foremost, a real dialogue between jazz band and orchestra. Not one of those fist-bitingly cornball jazz arrangements where the jazz players get to stretch out and the orchestral players sit back and contribute the sustained, saccharine harmonies.

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Scissor Sisters and Carlinhos Brown, Tower of London

Peter Culshaw

“It’s the oldest building in England,” Ana Matronic said breathlessly. “We’re probably going to behead someone.” The Tower of London is an unlikely venue for the fizzy pop monster that is Scissor Sisters, who dedicated one song to Anne Boleyn. In the end, no executions, or drawing or quartering, but they did have a couple of oversized beefeaters (pictured below) flanking the stage and dancing.

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Reissue CDs Weekly: Blur, Blancmange, The Smashing Pumpkins, Strange Passion

theartsdesk

Blur 21Blur: 21

Bruce Dessau

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Ondatrópica and Konkoma, Hackney Empire

howard Male

What function does a critic even serve at an event like this? Some of the best Colombian musicians across several generations are playing some of the best music Colombia has ever produced to an audience that largely consists of blissfully happy Colombians on Colombian Independence Day. But before the party got into its stride there’s a non-Colombian support band to consider.

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Desdemona, Barbican Hall

Peter Culshaw

Peter Sellars has a talent for controversy, from his early days when he was the director who brought you Così fan tutte set in a diner on Cape Cod, Don Giovanni as a cocaine-snorting, Big Mac-eating slum thug, and Figaro getting married in Trump Tower.

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Dr John, Under The Bridge, London

Thomas H Green

The omens did not augur well for this one. Under The Bridge, a venue beneath Chelsea Football Stadium, used to be an iffy nightclub called Purple but has been redesigned by the man behind America’s House of Blues chain into a shiny visual fusion of TGI Friday's and the Hard Rock Café.

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