New Music Reviews
Let It Be, Prince of Wales TheatreTuesday, 25 September 2012
In Beatles’ lore, the Prince of Wales Theatre is totemic. Here, on 4 November 1963, the cheeky quartet played the Royal Command Performance before the Queen Mother and Princess Margaret. John Lennon quipped, “Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewellery”. Now, 50 years on from the release of their first single, a tribute of sorts is taking place on the same stage with the arrival of Let It Be in the West End. Read more...
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Reissue CDs Weekly: R.E.M., Alice Cooper, The Durutti Column, Aztec CameraSunday, 23 September 2012
Kieron Tyler Read more... |
Dexys, Queen's Hall, EdinburghWednesday, 19 September 2012
Kevin Rowland has gone to great lengths recently to ensure that no one is under any misconceptions: the return of Dexys is no nostalgia trip. Last night’s show in Edinburgh hammered home the point. There aren’t many bands that could return after 27 years (give or take a smattering of gigs in 2003), play for two hours straight, perform only four old songs - even if those were stretched out over 45 extraordinary minutes - and yet still satisfy every demand made of them. Read more... |
The Cult /The Mission, Hammersmith ApolloMonday, 17 September 2012
In the summer of ’86, The Cult’s Ian Astbury invited The Mission on tour with them. Mission main man, Wayne Hussey, had recently fled the role of guitarist in The Sisters of Mercy to lead his own band. Goth fans had high hopes for them. Some thought they would eventually become bigger than the Cult. Over the next few years, though, both career paths defied expectations. Read more... |
Punk on Show: Was England Dreaming?Monday, 17 September 2012
On the 35th anniversary of the year punk met the mainstream, it’s to be expected that retrospection and nostalgia are in the air. Television has had a go, albums are being reissued and old soldiers are telling their stories. By its very nature an anniversary suggests that things were cut and dried, that 1977 was a beginning or a marker in the sand. Read more... |
The Marc Bolan 35th Memorial Concert, Shepherd's Bush EmpireSunday, 16 September 2012
Marc Bolan’s voice was as inseparable from his songs as the sheen and shimmer of one of his Biba satin jackets was inseparable from the jacket itself. That unique faux-posh phrasing, singing whimsical, surreal lyrics, became texturally essential to every T Rex song. Because his voice was such an integral aspect of his music, I had mixed feelings about last night’s tribute concert in aid of the PRS for Music Members Benevolent Fund. Read more... |
Reissue CDs Weekly: Joe Strummer & the Mescaleros, The Gary Burton Quartet, Heavy Metal Kids, Boyce & HartSunday, 16 September 2012
Lisa-Marie Ferla Read more... |
Patti Smith, The Dome, BrightonThursday, 13 September 2012
Patti Smith does not appear to change very much, visually. Her image is undoubtedly part of her appeal, especially in Brighton with its large lesbian population. She arrives on stage in pale blue jeans, a white shirt and a baggy cardy-style jacket, face unadorned with make-up and hair straggled down around her shoulders. From a distance she looks very much as she did in the mid-Seventies. She certainly doesn’t look 65. Read more... |
theartsdesk in Pula: Dubstep's Croatian conferenceThursday, 13 September 2012
It's a truism in dance music culture that “everyone's a DJ nowadays”. It's generally meant in a flip, pejorative sense – suggesting that cheap technology means every man Jack and his dog can put a sequence of records together and the role is somehow devalued. Read more... |
Larry Graham & Graham Central Station, Clapham GrandThursday, 13 September 2012
At 66 Larry Graham remains a remarkably supple, handsome man. The huge afro that once towered over him is long gone but the ability to pluck and thump the funkiest rhythms on earth from his white bass remains unmatched. Graham made his name as original bassist/bass vocalist in Sly & The Family Stone, the Bay Area band that proved such a potent force in popular music 1968-1973. Read more... |
R.E.M.: Document 25th Anniversary Edition
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