New Music Reviews
Album: Be Your Own Pet - MommySaturday, 19 August 2023
It shouldn’t be news to you that thanks to Gen Z, Y2K is making a comeback. From fashion threads to cultural memes, our feeds are a wash of “nowstalgia”. After 15 years away from the dive bars of their youth, Noughties noisemakers Be Your Own Pet are primed for the revival. Read more... |
We Out Here Festival, Wimborne St Giles review: it's a family affair, and then some...Friday, 18 August 2023
We Out Here Festival, now in its fifth year (and fourth edition, as 2020 was of course cancelled for Covid), has become an institution. Read more... |
Mega Bog, The Lexington review - a synth-pop makeover is tempered with dashes of new waveFriday, 18 August 2023
Introducing the fifth number in this evening’s set, Erin Birgy speaks to the audience for the first time. “This is our last song, thank you,” she says. Thoughts of early Jesus and Mary Chain shows instantly surface. Is this going to be a 20-minute wonder? A five-song digest of where Birgy – who records and writes as Mega Bog – is now, playing her first UK dates since the release of her seventh album The End of Everything? Is it the end of the show? Read more... |
Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormickSunday, 13 August 2023
Between the late 1950s and around 1971, Robert “Mack” McCormick (1930–2015) travelled through his base-state Texas, Alabama, Mississippi, west Louisiana and parts of Arkansas and Oklahoma looking for musicians to record. It wasn’t a random process: he covered 700 counties using a grid system, so nothing would be missed. As well as tapes, he made lists, filled notebooks and took photos. He kept everything. Read more... |
Album: Laura Groves - Radio RedThursday, 10 August 2023
“Sky at Night” begins Radio Red. Its brooding atmosphere is shared with Saint Etienne’s “Hobart Paving.” Also, a sinuous sense of melody is at one with Todd Rundgren’s finest ballads. Melodic filigrees suggest Laura Nyro or Brighton band The Mummers. It’s some album opener. Read more... |
Music Reissues Weekly: Klar!80 - celebrating Düsseldorf’s early Eighties undergroundSunday, 06 August 2023
Düsseldorf’s most famous band is Kraftwerk. Neu!, La Düsseldorf, and, a little later, D.A.F also helped mark-out the west German city as the home of musical boundary pushers – folks doing their own thing. Fellow Düsseldorf residents Die Toten Hosen took a different musical tack, but were as individualistic as those lumped in with Krautrock or kosmiche music. And where there’s the known, there’s also the unknown. Read more... |
WOMAD Festival 2023 review - the party for the whole World spreads good vibes and almost escapes Soggy JulyWednesday, 02 August 2023
theartsdesk team arrived at the WOMAD site with a degree of trepidation this year. Coming at the end of one of the wettest Julys in recent memory and the day after a serious deluge, was it going to be another Womud? Read more... |
Judy Collins, Cambridge Folk Festival review - celebrating a seminal Sixties' albumMonday, 31 July 2023
It’s 15 years since Judy Collins last stepped out at the Cambridge Folk Festival. She was a mere 68 then and, in the time since, little has changed except her hair, the famous rock-star mane lopped so that she now resembles the cover of those classic early Sixties’ albums. Read more... |
Album: Maria Wilman - Dark HorseMonday, 31 July 2023
Although Dark Horse is Maria Wilman’s first album, it feels as though it’s the latest entry in a string of releases. The songs are fully formed. The delivery is assured. The overall character of what’s heard is cohesive, suggesting the person who recorded these 12 tracks draws from previous experiences with framing what they want to express, and how it should be expressed. But there it is, Dark Horse is a debut. Read more... |
Music Reissues Weekly: Glenda Collins, Heinz, David John & The Mood - the latest treasures from Joe Meek's Tea Chest TapesSunday, 30 July 2023
Restraint wasn’t the watchword. Around March 1965, Heinz was in Joe Meek’s North London recording studio taping “Big Fat Spider,” which became the B-side of his April single version of “Don’t Think Twice it’s Alright.” A run-through which didn’t end up on the record found guitarist Richie Blackmore tossing off blistering lead runs so frenzied, so spikey, so wayward they might – had the track been issued – have caused radio producers to check whether the single had a pressing fault. Read more... |
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