New Music Reviews
Watcha Clan, Rich MixWednesday, 16 March 2011
Why do bands still insist on dabbling in drum’n’bass? It was always an absurd, overwrought style, even when it first assaulted our eardrums in the mid-1990s. It’s more like a technological malfunction of the drum machine than a natural, felt groove, hurtling along, as it tends to, at a ridiculous 200 beats per minute. Ironically, Marseilles’s Watcha Clan probably think it’s one of their strengths that they throw a couple of tracks into their live set powered by this anachronistic rhythm, but... Read more... |
Blancmange, KokoWednesday, 16 March 2011
Blancmange is a sweet pudding commonly made with milk or cream and sugar thickened with gelatin, cornstarch or Irish moss, and often flavored with almonds, says Wikipedia. Not sure about the Irish moss bit. Blancmange is also, as any fule no, a fabulous Eighties synth duo, playing on a tour for the first time in 25 years. I know there are a few of you out there who prefer your Pet Shop Boys. Personally, I find the PSBs too much. Every track rammed full of too much stuff, eventually they make... Read more... |
Two Door Cinema Club, RoundhouseSunday, 13 March 2011
Bouncy: if there is one word that sums up this hot young Northern Irish band, that would be the one; there is a Tiggerish enthusiasm to their music that encourages bouncing, clapping, arm-waving and generally having a good time, which is exactly what happened at last night's gig: a festive atmosphere prevailed, Two Door Cinema Club played a short, sharp set that lasted for little more than an hour, and they sent the crowd out into the early spring night buzzing. Read more... |
Benda Bilili!Saturday, 12 March 2011
On first hearing about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy at the prospect of reviewing them. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to either give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, rather embarrassingly, the vanity and solipsism of your reviewer has no limits. Read more... |
Youssou N'Dour, BarbicanThursday, 10 March 2011
Old joke: when is N’Dour not N’Dour? When he’s Frank Sinatra. The comparisons of the Chairman of the Board with Senegal’s biggest star may seem a bit far-fetched, but I wondered as I watched him whether there’s a current European or American star who has the sheer authority, laid-back charisma and utterly distinctive voice that Frank used to have and Youssou has. In Youssou’s case, his voice of warm honey and mahogany is one of the seven wonders of the world. As it happens, for the first few... Read more... |
Plan B, Brighton Centre, BrightonWednesday, 09 March 2011
After his spectacular performance at the Brit Awards, the stage running amok with a dancing jury, shimmying riot police and balletic convicts, I wasn't sure what to expect from a Plan B show. Perhaps a theatrical experience somewhere between Rick Wakeman's infamous 1975 King Arthur on Ice extravaganza and the Ray Winstone borstal flick Scum? Read more... |
Iron & Wine, RoundhouseWednesday, 09 March 2011
Beards, beards, beards: at the Roundhouse, they seemed to be everywhere, sprouting from the chins of hundreds of chaps in the audience. Perhaps, though, I was just looking out for them, what with the luxuriant growth on the face of the man they had all come to see: Iron & Wine, the artist otherwise known as Sam Beam, singer, songwriter and former film studies professor from the American south-east. Read more... |
Deolinda, Jazz CaféWednesday, 09 March 2011
Sometimes it’s worth remembering that what is world music to one music lover is pop music to another. Portuguese four-piece Deolinda’s first album, Canção ao lado, spent nearly two years at the top of the charts at home, so there are an awful lot of people who see this band as pop music. This must also make it strange for the band themselves who, presumably, play sizeable venues in Portugal, only to find themselves in front of a London crowd of less than 300 at the Jazz Café... Read more... |
The Streets, O2 AcademySaturday, 05 March 2011
Grown men with bulging muscles and tattoos were crying in Brixton last night. And not just the man at the front who got unexpectedly kicked when Mike Skinner decided to go crowd-surfing. It was Skinner's very last gig before he pursues film-making, novels or roadsweeping, depending which interview you believe, so could he finish with a bang? Read more... |
Robyn, The RoundhouseThursday, 03 March 2011
Halfway through last night’s show, as songs segued and smooshed into each other, it became clear that Robyn has perfected a high-concept pop that’s impossible to place geographically. She might be Swedish, but bloopy Chicago house, Euro electro and synthetic Japanese new wave are in the mix. A human blender, she’s at a peak – visibly fizzing. Read more... |
Pages
latest in today
In a secret chamber somewhere, the producers of ...
"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...
Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...
Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...
“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...
I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...
The screenwriting debut of actor Andrew Buchan,...
A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...