tue 29/04/2025

New Music Reviews

Kasabian, Brighton Centre, Brighton

Thomas H Green

“LSF” is unarguably a monster of a song. In fact, that whole of Kasabian's self-titled 2004 debut album was a cracker, but seeing the entire sold-out Brighton Centre, balconies and all, on their feet, hands aloft, as one, singing the wordless backing chorus of “LSF” is quite a thing. Even when they stop, and five of the six band members wander off, skinny rake guitarist Sergio Pizzorno stays back and conducts the crowd.

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Mouse on Mars, Oval, Stockhausen, Barbican

mark Kidel

Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor, strategically placed between two speakers, my ears opened by the copious ingestion of some red Lebanese.

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Just in From Scandinavia: Nordic Music Round-Up 2

Kieron Tyler

Although they're beginning to get cold, the winds blowing in from Scandinavia have recently brought enough music to keep anyone warm through long, dark nights. Finnish intensity, pop and introspection from Denmark, Swedish luxuriousness, Icelandic keyboard quirk, Norwegians that enfold - all are here. Along with Estonian haziness.

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Friendly Fires, Brixton Academy

David Cheal

The Hertfordshire market town of St Albans has not hitherto been renowned for its buzzing music scene: its hall of fame contains but a handful of names from the pop pantheon, most notably Enter Shikari and Lowgold (unless you count the fact that David Essex lives there). It’s not exactly Chicago in the 1950s or Liverpool in the 1960s. But now the citizens of this former Roman stronghold can hold their heads high, thanks to the emergence of Friendly Fires.

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Yuck, Electric Ballroom

Kieron Tyler

On 9 September, 1985 The Jesus and Mary Chain played Camden's Electric Ballroom to a ceaseless hail of plastic pint pots. After 20 minutes, the songs gave way to formless feedback and they sloped off the stage. Although Yuck weren’t born then, the significance of playing the same stage can’t have been lost on them. Carrying a torch for the pre-grunge fuzz-rock that was shoegazing’s ugly sister, Yuck know a thing or two about what they’re drawing from.

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London Jazz Festival Round-Up

John L Walters

The 10-day London Jazz Festival, now in its 19th year, is a diverse and international festival that embraces the unapologetically commercial Jazz Voice, the outer reaches of (free) free improv and even Abram Wilson’s Jazz for Toddlers. Despite a line-up that’s both starry and distinguished there was no single name that might encapsulate the festival’s rainbow palette.

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Henry Threadgill, Queen Elizabeth Hall

Marcus O'Dair

It’s nine days into the 10-day London Jazz Festival, and highlights so far include the double bill of saxophonists Steve Williamson and Steve Coleman, and the UK’s own Empirical supporting veterans Archie Shepp and Joachim Kuhn (the former a mellowed African-American firebrand, the latter a German pianist with all the wild intensity of Klaus Kinski in a Beethoven biopic).

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Robert Glasper, London Jazz Festival, Kings Place

peter Quinn

There aren't too many pianists who excite jazz aficionados and hip-hop fans in equal measure. But then no other artist has been inspired equally by hip-hop beats on the one hand and Thelonious Monk on the other. And while it appears increasingly that jazz artists are refusing to be straitjacketed by genre convention, US pianist Robert Glasper is perhaps the prime example of this blurring at the edges.

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The Low Anthem, Roundhouse

David Cheal

This show was memorable almost as much for the audience as it was for the music.

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Soul Rebels Brass Band, London Jazz Festival, QEH

peter Quinn

Funkier than a James Brown bridge, the mighty Soul Rebels Brass Band swung back into town last night and flattened all before them. Possessing that rare combination of serious chops, impeccable stagecraft and down-home soul, they confirmed their position as one of the most explosive live acts on the scene.

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