New Music Reviews
Mouse on Mars, Oval, Stockhausen, BarbicanSaturday, 26 November 2011
Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor, strategically placed between two speakers, my ears opened by the copious ingestion of some red Lebanese. Read more... |
Just in From Scandinavia: Nordic Music Round-Up 2Saturday, 26 November 2011
Although they're beginning to get cold, the winds blowing in from Scandinavia have recently brought enough music to keep anyone warm through long, dark nights. Finnish intensity, pop and introspection from Denmark, Swedish luxuriousness, Icelandic keyboard quirk, Norwegians that enfold - all are here. Along with Estonian haziness. Read more... |
Friendly Fires, Brixton AcademyFriday, 25 November 2011
The Hertfordshire market town of St Albans has not hitherto been renowned for its buzzing music scene: its hall of fame contains but a handful of names from the pop pantheon, most notably Enter Shikari and Lowgold (unless you count the fact that David Essex lives there). It’s not exactly Chicago in the 1950s or Liverpool in the 1960s. But now the citizens of this former Roman stronghold can hold their heads high, thanks to the emergence of Friendly Fires. Read more... |
Yuck, Electric BallroomFriday, 25 November 2011
On 9 September, 1985 The Jesus and Mary Chain played Camden's Electric Ballroom to a ceaseless hail of plastic pint pots. After 20 minutes, the songs gave way to formless feedback and they sloped off the stage. Although Yuck weren’t born then, the significance of playing the same stage can’t have been lost on them. Carrying a torch for the pre-grunge fuzz-rock that was shoegazing’s ugly sister, Yuck know a thing or two about what they’re drawing from. Read more... |
London Jazz Festival Round-UpTuesday, 22 November 2011
The 10-day London Jazz Festival, now in its 19th year, is a diverse and international festival that embraces the unapologetically commercial Jazz Voice, the outer reaches of (free) free improv and even Abram Wilson’s Jazz for Toddlers. Despite a line-up that’s both starry and distinguished there was no single name that might encapsulate the festival’s rainbow palette. Read more... |
Henry Threadgill, Queen Elizabeth HallSunday, 20 November 2011
It’s nine days into the 10-day London Jazz Festival, and highlights so far include the double bill of saxophonists Steve Williamson and Steve Coleman, and the UK’s own Empirical supporting veterans Archie Shepp and Joachim Kuhn (the former a mellowed African-American firebrand, the latter a German pianist with all the wild intensity of Klaus Kinski in a Beethoven biopic). Read more... |
Robert Glasper, London Jazz Festival, Kings PlaceFriday, 18 November 2011
There aren't too many pianists who excite jazz aficionados and hip-hop fans in equal measure. But then no other artist has been inspired equally by hip-hop beats on the one hand and Thelonious Monk on the other. And while it appears increasingly that jazz artists are refusing to be straitjacketed by genre convention, US pianist Robert Glasper is perhaps the prime example of this blurring at the edges. Read more... |
The Low Anthem, RoundhouseThursday, 17 November 2011
This show was memorable almost as much for the audience as it was for the music. Read more... |
Soul Rebels Brass Band, London Jazz Festival, QEHThursday, 17 November 2011
Funkier than a James Brown bridge, the mighty Soul Rebels Brass Band swung back into town last night and flattened all before them. Possessing that rare combination of serious chops, impeccable stagecraft and down-home soul, they confirmed their position as one of the most explosive live acts on the scene. Read more... |
The Damned, The East Wing, BrightonMonday, 14 November 2011
“Whose idea was it to do the gig in this shithole?” asks Captain Sensible towards the end of the night. He’s right. The East Wing is truly an atmosphere-free venue, a carpeted, low-ceilinged conference room that’s part of the much larger Brighton Centre complex. It’s easy to imagine it filled with municipal administrators milling about, the stink of coffee and the rustle of paperwork. Read more... |
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