New Music Reviews
Seasick Steve, Electric BallroomFriday, 27 May 2011
A guitar with one string? There is indeed such a thing. It’s played by Seasick Steve, and it consists of a stubby plank of wood, a pick-up and a couple of nails. And a string. The man born 70 years ago as Steven Wold plays it with a slide, and it makes a fabulous, sleazy sound. It’s one of a collection of manky-looking instruments played by Seasick Steve, the former hobo, drifter, session musician and studio engineer who has experienced a late blossoming in popularity as a bluesman and... Read more... |
Rush, O2 ArenaThursday, 26 May 2011
Explosions, 40ft flames, light shows and back projections. It may have been at the Dome but at times it felt more like being in a music video. A mini-film opened the concert. Rush circa 1973 were boys called Rash, and they’d play only when professor Alex Lifeson operated his music machine. The contraption also had a button marked “Time Machine”. When pressed this catapulted the band, on stage, back and forth through their 37-year career. Read more... |
Villagers, Liquid Room, EdinburghMonday, 23 May 2011
Last week Villager-in-Chief Conor J O’Brien was awarded an Ivor Novello award (Best Song Musically and Lyrically, in case you’re curious) for the title track of his Mercury Prize-nominated debut album Becoming a Jackal. Read more... |
Fanfare Ciocârlia vs Boban Marcovic - Balkan Brass Battle, The Dome, BrightonSunday, 22 May 2011
Subtlety is overrated. I've always thought so. Critical consensus too often rates nuanced, emasculated emoting over music that smashes you over the head with an iron bar. From hardcore punk to gabber to speed metal to the sort of dubstep that sounds like four-storey bass bins begging for mercy, music that's ballistic doesn't leave room for quibbling. You're either on the bus or you can piss off and listen to Bon Iver in your bedroom. Read more... |
Quartet West, BarbicanSunday, 22 May 2011
The first night of this weekend residency by the renowned bassist, composer and band-leader Charlie Haden celebrated the 25th anniversary of Quartet West and their new Emarcy release, Sophisticated Ladies. A winning mix of tender balladeering and coruscating instrumentals, the quartet's music-making – rather like the finest wines – seems to improve and deepen with age. Read more... |
Lee "Scratch" Perry and Max Romeo, Brighton DomeSaturday, 21 May 2011
There are often times when I dislike the smoking ban. Tonight was one such. A few years ago, a gig such as this would have been awash with marijuana smoke and that was as it should be. At a guess I'd suggest the crowd, who range from 16 to 60, or older, and seem thoroughly disparate, all have one thing in common: that they enjoy the odd toke. Read more... |
The Monkees, Royal Albert HallFriday, 20 May 2011
The Monkees’ Head was their celluloid suicide note. They chanted that they were a manufactured band with no philosophy. The film caught an authentic psychedelic vision which came to life again last night. Post-interval, the show continued with a stunning run through of the Head soundtrack songs, most of which had never been played live. Read more... |
Queens of the Stone Age, RoundhouseWednesday, 18 May 2011
“Tonight there’s no one else in the world – just us together,” announced Josh Homme halfway through the night. And it felt so. But it didn't seem like we were in the Roundhouse. More like we were sitting amid the heat haze of California’s Palm Desert, on a two-hour psychedelic trip, and the Queens of the Stone Age front man was our personal shaman. Sometimes it was euphoric, and other times it was dizzying. Read more... |
Noah and the Whale, RoundhouseTuesday, 17 May 2011
They’re a fun band with some cracking tunes and they provided a vibrant night’s music last night at the Roundhouse, but where on earth did the idea come from that Noah and the Whale are a folk band? On this evidence, they’re about as folkie as Motörhead. Granted, they have a violinist in their line-up, but this is really no signifier of folkiness. In fact, the musician who sprang to mind most frequently... Read more... |
Suuns/ Gyratory System, Corsica Studios, LondonMonday, 16 May 2011
It took until the fourth song of their set for Suuns to take off. Lurching into “PVC”, the Montréal quartet gelled. Monolithic drums, pounding, relentless bass guitar and slabs of sheet-metal guitar rolled off the stage. Harnessing the power of heavy metal, they’d achieved escape velocity. More powerful than on album, the unassuming-looking Suuns made a compelling case for their stripped-down, post-... Read more... |
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