New Music Reviews
Herbie Hancock, London Jazz Festival, Royal Festival HallMonday, 15 November 2010
A member of Miles Davis's legendary second quintet (“arguably Miles's best ever group” according to the Penguin Jazz Guide); a composer of standards (“Watermelon Man”, “Dolphin Dance”, “Maiden Voyage”, “Cantaloupe Island”) and soundtracks (Antonioni's Blow-Up, Bertrand Tavernier's Round Midnight); winner of over 10 Grammy Awards, the first for... Read more... |
Gorillaz, O2 ArenaMonday, 15 November 2010
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Brad Mehldau, Barbican HallSunday, 14 November 2010
Brad Mehldau is a cool cat. An intellectual one, introverted to the point of semi-autism, precise and clear. A strong mystique based on critic-proof good taste and hardly talking to anyone, least of all many music journalists (I’ve tried). At least that’s what I used to think before last night’s extraordinary show. He still looks a bit of a nerd, hunched over his piano and pale as a baby polar bear locked in the attic for too long, but this was a warm, enveloping trip of a gig. The 21st... Read more... |
Jazz Voice, London Jazz Festival, BarbicanSaturday, 13 November 2010
And we're off. Marking the official start of the London Jazz Festival, “Jazz Voice: Celebrating a Century of Song” provided a superbly paced and brilliantly conceived curtain-raiser. Hosted by Scottish actor Dougray Scott and presenting vocalists from both sides of the Atlantic, this paean to the art of song featured Guy Barker's consummate, high-spec arrangements lovingly performed by his hand-picked orchestra. Read more... |
Hjaltalín, Hoxton Square Bar and KitchenSaturday, 13 November 2010
There’s a moment during Hjaltalín’s encore when bolero rhythms take over and you wonder if the Reykjavik septet have invented a new musical hybrid: a Ravel-driven makeover of Seventies-slanted soul. As singer Sigrídur Thorlacius lets rip on the thrillingly anthemic “Feels Like Sugar”, it’s clear that Hjaltalín aren’t bothered with current musical templates. They take from the unlikeliest sources, smoosh them together and end up sounding like no one else. Read more... |
Bellowhead, Bristol Old VicFriday, 12 November 2010
Bellowhead are 21st-century genre-busters: punk music-hall madness born out of British folk, seasoned with a zeitgeist-friendly dose of multicultural spice. Sounds gimmicky? Well, not at all, as Bellowhead’s greatest quality, apart from being an outstandingly enjoyable live act, comes from the way they ride their eclecticism with brio and intelligence, inventing as they go a new folk music for our times. Read more... |
Ash, Liquid Rooms, EdinburghThursday, 11 November 2010
So, did they play all the singles? Well no, not all of them, given that they’ve released 26 of the buggers in the past year alone, frisbeeing one out every fortnight in the sort of kamikaze experiment contemplated by only the truly inspired or the slightly desperate. Ash, on the evidence of last night's gig, might just be a bit of both. Read more... |
Dub Colossus, Bloomsbury BallroomThursday, 11 November 2010
I’d not been to the Bloomsbury Ballroom before, but over the past five years or so the likes of Amy Winehouse and Martha Reeves have played this plush Art Deco space. Somewhat disconcertingly, apart from the stage, the rest of the hall was in virtual darkness which suited Dub Colossus perfectly: this intriguing collective of British and Ethiopian musicians are purveyors of intense, atmospheric dance music who actually benefited from this dramatic lack of lighting which made the stage appear... Read more... |
Hot Chip/ LCD Soundsystem, Alexandra PalaceWednesday, 10 November 2010
Unlikely cool. It’s what unites LCD Soundsystem and Hot Chip. They’re the geeks and outsiders who made it to being hip on the dancefloor. These improbable, subversive electro-pop heroes have united this autumn for what for fans has been a dream double-headline tour. Both bands have had albums out this year and both albums have been well received. But for James Murphy the rumours are that this may be the last tour he does as LCD Soundsystem. Read more... |
Odd Future, The Drop, Stoke NewingtonSaturday, 06 November 2010
Given the somewhat viral nature of Odd Future's rapidly flourishing notoriety, it's both appropriate and a little ironic that their debut UK performance should take place in the basement of a pub in a part of north London where the underground doesn't run. Also known as OFWGKTA (or Odd Future Wolf Gang Kill Them All), this 10-strong self-contained teenage rap conglomerate from Los Angeles has united hip-hop über-nerds, jaded old-schoolers and regular rap fans alike – a remarkable... Read more... |
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