sun 08/09/2024

New Music Reviews

Cheikh Lo, The Scala

howard Male Cheikh Lo typically attired - Joseph, eat your heart out!

As part of my homework before last night’s gig at the Scala I played Senegalese singer Cheikh Lo’s latest album Jamm over and over again, waiting for some of its tunes to lodge in my mind - waiting to be compelled rather than feel duty bound to play it again. But no, I just couldn't connect with it. There’s nothing ostensibly wrong with the thing: it’s brimming over with easy-going cheer and passion, it's beautifully played and sung, and it’s all wrapped up in that familiar crystal-...

Read more...

Vinicius Cantuária and Bill Frisell, Ronnie Scott's

peter Quinn

McCartney and Wonder. Jagger and Bowie. Mullard and Baker. Music history teaches us that the star collaboration doesn't always transmute into artistic gold. The Chairman of the Board himself, with a little help from Vandross, Streisand, Bono et al, had a spectacular misfire with Duets Vol 1.

Read more...

Terje Isungset's Ice Music, Somerset House

Kieron Tyler

Clichés about the frozen North aside, music from the Nordic countries is often described as redolent of glacial landscapes or icy wastelands. But the music of percussionist Terje Isungset goes further – his instruments are carved from Norwegian ice. Pulled up from the depths, his ice is 600 years old, crystal clear with no imperfections. Ice Music is literally that: music played on ice.

Read more...

When Harvey Met Bob, BBC Two

graeme Thomson An Eighties 'Odd Couple': Domhnall Gleeson and Ian Hart as Geldof and Goldsmith

At one point in Joe Dunlop’s Boy's Own adventure-style dramatisation of the events leading up to Live Aid, concert promoter Harvey Goldsmith asked Bob Geldof: “Why are you doing it, that’s the question?” I’ve interviewed Geldof on a number of occasions and there’s no doubting either the sincerity or enduring nature of his commitment to Band Aid. I’m not sure, however, that I or anyone else, and certainly not this film, has ever quite got to the bottom of Goldsmith's question. Why...

Read more...

Imagine: Ray Davies, Imaginary Man, BBC One

Kieron Tyler

"Compared to the way I feel now", said Ray Davies 50 minutes in, “having a nervous breakdown was a jaunt.” His voice was even, matter of fact. He didn’t look distressed, merely appeared to be stating what he thinks is obvious. Julian Temple’s documentary about The Kinks’s leader and songwriter was packed with such moments – revealing and so open that it was impossible not to be affected by Davies’s low-key passion. This assured portrait was more than the story of a pop star.

Read more...

Simply Red, O2 Arena

Kieron Tyler

When theartsdesk asked Simply Red’s PR company for some pictures of the band to accompany this review, the images sent were of Mick Hucknall – alone. Which is probably all you need to know about who Simply Red are. Last night’s audience at this, Simply Red’s final ever live show, needed no reminding that it was all about Hucknall, however he’s billed. For them, his arrival on stage after the band had set the groove drew more applause than the music.

Read more...

Festivals Britannia, BBC Four

howard Male An infestation of human beings, temporarily invading a sizeable stretch of southwest England

A startling one in 10 British adults apparently went to a music festival this year. Given that I’m a music journalist and I didn’t, maybe I’m some kind of astronomically unlikely anomaly. I’d like to think so. But those familiar aerial shots of Glastonbury – not just a few fields but a sizeable expanse of Britain’s patchwork-quilt landscape, completely overrun by an infestation of teeming humanity - is enough to make me feel smugly sane to have decided, as usual, to just remain cosily at...

Read more...

Frankie Rose and The Outs, Luminaire

Kieron Tyler Frankie Rose and the Outs on their way to audition for 'Macbeth'

Miss Frankie Rose is the veteran of scads of über-trendy bands. In desperately hip, always stewing Brooklyn, she's a one-woman music scene. Inspired by the mid/late-Eighties UK indie sound, The Cramps, Phil Spector and Sixties girl groups, she's landed in north London with her new band Frankie Rose and the Outs. Their debut album is a wonderful fuzz-pop confection, but could it work live?

Read more...

Suede, O2 Arena

Bruce Dessau

If you stick the phrase "Britpop Revival" into Google, the first page of results suggests that there has been one in 2009, 2008, 2007, 2005 and even 1998, barely a handful of months after Britpop was the epitome of Cool Britannia.

Read more...

Meat Loaf, Wembley Arena

Russ Coffey

It’s often assumed that people who write about music just sit around listening to achingly hip bands and rare grooves. Not true. You’ll often catch me listening to such Jeremy Clarkson-endorsed combos as Genesis or ZZ Top. Meat Loaf? Certainly. Guilty pleasure? As charged. Phil Spector may have had his pocket symphonies for the kids, but Meat Loaf and Jim Steinman gave them six-minute operas. To my mind there hasn’t been a song written that conjures up the glorious tragedy of being 16 quite...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Music Reissues Weekly: Lee 'Scratch' Perry and Fri...

After the March 1969 UK release of the “Return of Django” single, prospective performers of the song could buy it transcribed as sheet music. On...

Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle...

Mahler’s Sixth is one of those apocalyptic megaliths that shouldn’t be approached too often by audiences or conductors. It’s been a constant in...

Ballet Nights #006, Cadogan Hall review - a mixed bag of exc...

It’s exactly a year since Ballet Nights, the self-styled taster platform for ...

Kaos, Netflix review - playing fast and profuse with the Gre...

The ancient Greeks would probably have liked a lot about Charlie Covell‘s manipulation of mythic material. After all, Euripides was prepared to...

The Allergies, Hare & Hounds, Birmingham review - funky...

The Allergies kicked off their Freak the Speaker tour in Birmingham this week. However, the album that they were promoting was nowhere to...

The Silver Cord, Finborough Theatre review - Sophie Ward is...

One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten...

Album: LL COOL J - THE FORCE

This album only has one serious flaw: LL COOL J didn’t open it with “OK you can call it a comeback”. Sorry, cheap joke (if you didn’t know, his...

Prom 61, Bavarian Radio Symphony Orchestra, Rattle review -...

Hot on the glittering heels of the Berlin Philharmonic and Kirill Petrenko, Sir Simon Rattle brought another stellar German outfit to the...

Gossip, SWG3, Glasgow review - powerhouse voice provokes onl...

Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig...

The Third Man rides again - 75th anniversary of Carol Reed...

It was originally released in Britain 75 years ago this month, making its debut in a small cinema in Hastings on 1 September 1949, and quite a few...