New Music Reviews
Terry Riley Celebration, St George's Bristol & Bristol Old VicSaturday, 06 November 2010
Terry Riley is one of the great unsung heroes of contemporary music, the ur-minimalist who shaped the creative paths of John Adams, Peter Townshend, Mike Oldfield and Philip Glass, to name just a sample of the wide range of musicians who have been inspired by his raga-tinged loops and all-enveloping electronic soundscapes. Read more...
|
Wilko Johnson, O2 Academy IslingtonFriday, 05 November 2010
Is it a bird? Is it a plane? Is it an amphetamine-fuelled chicken on rollers? No, it’s the one-time guitarist for Dr Feelgood (during the only period that matters) still doing the moves that made him the main reason to see the band in the mid-1970s. Now bald-headed and bushy-browed but still delivering those electrically charged stares (which he learnt to do during a brief stint as a schoolteacher), he had the air of a benevolent dictator last night as he surveyed the Academy’s crowd for... Read more... |
Magnetic Man, HeavenThursday, 04 November 2010
Rave music, in its many ever-mutating forms, is now more than a generation into its existence. Many, possibly most, of the crowd pushing into Heaven, under Charing Cross station, weren't even born when acid house fully hit the UK in 1988, but none of them are here for some retro experience. It's hard, as a superannuated lover of electronic beats, not to feel cultural vertigo at the fact that what once felt like the most impossibly inhuman of sounds has now become so ubiquitous and so... Read more... |
Ariel Pink's Haunted Graffiti, The GarageTuesday, 02 November 2010
Bounding on stage in a purple version of the man dress pioneered by Mick Jagger at The Stones’s 1969 Hyde Park concert, Ariel Pink looks like a mistranslated version of what a late-Sixties rock star should be. His long hair is dyed blonde. The roots show. His make-up is already smudged, as if applied with mittens. Read more... |
Neil Diamond, Radio 2 Electric Proms, RoundhouseSunday, 31 October 2010
At 7.55pm I was tired and grouchy. By 9.30pm I was a happy man, thanks to Neil Diamond. Say what you like about this 69-year-old singer and songwriter: he may be a cheesy old showbiz pro, but personally I am partial to a bit of cheesy showbiz, and an hour and a half in his company on the final night of this year’s Radio 2 Electric Proms was a real tonic. With his Thunderbirds eyebrows and his prowling gait, Diamond was an imposing figure whose voice has lost none of its gritty... Read more... |
Keith Richards: A Culture Show Special, BBC TwoThursday, 28 October 2010
“I was a very good soprano.” Of all the sentences you’d not expect to hear tumbling from the mouth of Keith Richards, that one is up there with "Tap water for me, please, and I do hope this vegan restaurant is non-smoking." He has the addled larynx of a Fag Ash Lil who, when not mopping and dusting, perches on a barstool glugging gin and puffing on Bensons. But once upon a time little Richards did once sing for the Queen. Read more... |
Carl Barât, ScalaWednesday, 27 October 2010
It is not easy to kickstart a fresh musical career after you've been in a painfully fashionable – and intermittently brilliant – band. It is even harder when this is your second bash at starting out again. And harder still when a couple of months ago you trousered enough money to keep you in leather jackets for a lifetime by briefly reforming that original band for a pair of festival cameos. Yet last night erstwhile Libertine and ex-Dirty Pretty Thing Carl Barât did enough to suggest that,... Read more... |
Agnes Obel: PhilharmonicsWednesday, 27 October 2010
Although Danish singer-songwriter Agnes Obel has professed a kinship with Roy Orbison and his grand musical dramas, it’s John Cale that she covers on her debut album. Choosing the slow-burning “I Keep A Close Watch” from 1975’s Helen Of Troy (Cale re-recorded it in 1982 on Music For A New Society) is telling. Not only does Obel look for and seek to telegraph emotion, she is allying herself with performers and songwriters recognised as passionate and heartfelt. Read more... |
Manu Chao, Coronet TheatreSunday, 24 October 2010
“It’s not often you get a global superstar down at the Elephant and Castle,” marvelled a local who spent the evening dancing like a dervish to the infectious music of Manu Chao, who had breezed into London for a rare show last night off the back of a short tour of Japan and the West Coast of America. The first person I saw as an usher was Colombian philosopher Oscar Guardiola-Rivera whose book What if Latin America Ruled the World? suggests - among many other things - that the US is... Read more... |
Krystle Warren, Rich MixFriday, 22 October 2010
Paradoxically, the greater the number of established artists you find yourself comparing a new talent to, the more original you are eventually forced to conclude this new talent is. So let’s get those comparisons out of the way: this Kansas City gal sounds a bit like Cassandra Wilson, Joan Armatrading, Me’Shell NdegéOcello, Joni Mitchell, Nina Simone, Sly Stone, Bob Dylan, Bill Withers… and the list could go on.... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Music Reissues Weekly: Lee 'Scratch' Perry and Fri...
After the March 1969 UK release of the “Return of Django” single, prospective performers of the song could buy it transcribed as sheet music. On...
Prom 62, Mahler's Sixth Symphony, Bavarian RSO, Rattle...
Mahler’s Sixth is one of those apocalyptic megaliths that shouldn’t be approached too often by audiences or conductors. It’s been a constant in...
Ballet Nights #006, Cadogan Hall review - a mixed bag of exc...
It’s exactly a year since Ballet Nights, the self-styled taster platform for ...
Kaos, Netflix review - playing fast and profuse with the Gre...
The ancient Greeks would probably have liked a lot about Charlie Covell‘s manipulation of mythic material. After all, Euripides was prepared to...
The Allergies, Hare & Hounds, Birmingham review - funky...
The Allergies kicked off their Freak the Speaker tour in Birmingham this week. However, the album that they were promoting was nowhere to...
The Silver Cord, Finborough Theatre review - Sophie Ward is...
One of the Finborough Theatre’s Artistic Director, Neil McPherson’s, gifts is an uncanny ability to find long-forgotten...
Album: LL COOL J - THE FORCE
This album only has one serious flaw: LL COOL J didn’t open it with “OK you can call it a comeback”. Sorry, cheap joke (if you didn’t know, his...
Prom 61, Bavarian Radio Symphony Orchestra, Rattle review -...
Hot on the glittering heels of the Berlin Philharmonic and Kirill Petrenko, Sir Simon Rattle brought another stellar German outfit to the...
Gossip, SWG3, Glasgow review - powerhouse voice provokes onl...
Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig...
The Third Man rides again - 75th anniversary of Carol Reed...
It was originally released in Britain 75 years ago this month, making its debut in a small cinema in Hastings on 1 September 1949, and quite a few...