Theatre Reviews
Edward II, Royal Exchange, ManchesterTuesday, 13 September 2011
This is not exactly Edward II the musical. There’s no singing, but music plays a leading role. It is the food of love of the sort that dared not speak its name – and there is excess of it for my taste. The idiom is jazz of the edgy sort fashionable in Paris in the 1950s, reflecting pretty boy Piers Gaveston’s exile there, where he has been banished by Edward I for getting too close to his wayward son. Read more... |
A Dish of Tea With Dr Johnson, Arts TheatreSaturday, 10 September 2011
It’s not every evening one is invited to take A Dish of Tea with Dr Johnson, and the 90 minutes spent in the company of England’s greatest wit and original lexicographer pass in a whirl of aphorisms and expostulations, with a fair smattering of historical grandees thrown in for good measure. Read more... |
Decade, Headlong at Commodity Quay, St Katherine DocksFriday, 09 September 2011
Ten years on from 9/11 and the polyphony of reactions will not, and should not, be stilled. Creative artists have had to tread carefully in what they amass, and how they present it. Read more... |
The Kitchen, National TheatreThursday, 08 September 2011
It may not serve up all that much to get your teeth into, but Bijan Sheibani’s production of this 1959 play by Arnold Wesker looks fantastic on the plate. Giles Cadle’s saucepan-shaped set is framed by a giant chalkboard, scrawled over and over with daily specials in faded lettering; beyond... Read more... |
The Tempest, Theatre Royal HaymarketWednesday, 07 September 2011
Memo to William Shakespeare: could we have more, please, in The Tempest of the anxious, angsty Prospero, the mortality-minded magus played in his most riveting theatre performance in years by Ralph Fiennes? Read more... |
Truth and Reconciliation, Royal Court TheatreMonday, 05 September 2011
Can an ordinary wooden chair be an instrument of torture? Of course, every brute investigation makes use of such furniture, whether as a place to tie the victim down, or as a weapon to attack them with. Read more... |
The God of Soho, Shakespeare's GlobeFriday, 02 September 2011
It's grin and bear it - even on occasion bare it - time at Shakespeare's Globe, which closes its 2011 season not with a bang but with a wearyingly facetious whimper. A nice idea that in differing ways evokes such previous Globe newbies as Helen and The Frontline while paying homage to the Bard's own penchant for many and varied couplings, Chris Hannan's latest aims for a giddy, carnival atmosphere that it only fitfully achieves. As for its apparent obsession with scatology... Read more... |
The Faith Machine, Royal Court TheatreThursday, 01 September 2011
A monolithic slab, like a giant incarnation of a Biblical tablet of stone, dominates Mark Thompson’s set for Jamie Lloyd's production of the third play by Alexi Kaye Campbell. Nothing else is so solid in this big, weighty work, which wrestles with abstract notions of faith, the human soul and the myths and narratives by which we choose to live. Read more... |
South Pacific, Barbican TheatreWednesday, 24 August 2011
"Whoring after the public taste" is how Ingmar Bergman described some rather funny hanky-panky in one of his most singular films. It's what showbusiness thrives on, and it's fine if done well. Yet a decade ago Trevor Nunn crowned the National Theatre's trio of keenly observed Rodgers and Hammerstein stagings with South Pacific characters of flesh and blood, as its creators had surely envisaged. Here, despite strong delivery of a string of hits and fluid, evocatively lit designs,... Read more... |
theartsdesk MOT: Dreamboats and Petticoats, Playhouse TheatreMonday, 22 August 2011
It's one of the distinctions of the London theatre to be at once highbrow and middle-of-the-road, to offer up esoterica from Ibsen and Schiller while allowing audiences elsewhere the chance to rock out to the... Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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