Theatre Reviews
The Gods Weep, RSC/Hampstead TheatreThursday, 18 March 2010
Why is it that Method-ist actors are pretty much expected to spend months manically researching the inner minutiae of their character, but a much-lauded playwright can get away without providing any serious insights into his main subject matter? Read more... |
Eigengrau, Bush TheatreTuesday, 16 March 2010
One of the most common genres of contemporary Brit drama is the "me and my mates" play – usually stories about flatsharing twentysomethings. Although, over the past decade, this type of drama has been somewhat overtaken by the return of the family play, you can still spot the genre in new writing venues all over the country. Read more... |
Random, Royal Court Theatre at Elephant and Castle Shopping CentreThursday, 11 March 2010
It's common to feel a real sense of doom when you approach the Elephant and Castle Shopping Centre. But it’s not the dodgy hoodies that turn your legs to jelly, it’s the sheer ugliness of the architecture. Yes, aesthetically, this is urban hell. But it’s also the site of the Royal Court’s Local project, in which a rundown shop unit has been turned into a makeshift theatre. Read more... |
London Assurance, National TheatreWednesday, 10 March 2010
For the life of me I cannot understand why London Assurance is not performed more often. It’s a rollicking comedy, written in 1841 but which has a Restoration heart, with a cast list that includes a wideboy named Dazzle, a valet Cool, a servant Pert, a lawyer Meddle and - hold your sides - a horsey broad brandishing a whip named Lady Gay Spanker. Calm down, now. Read more... |
Love Never Dies, Adelphi TheatreWednesday, 10 March 2010
In movies and on TV we expect sequels and spin-offs and the perpetuation of a franchise whereby we follow Rocky, The Terminator, or whomever seemingly to the grave. But theatre has tended to take the high road: Chekhov never revealed whether the three sisters actually reached Moscow. Read more... |
Sweet Nothings, Young VicFriday, 05 March 2010
Arthur Schnitzler belonged to a culture of inquiry and experiment, in which dreams and desire were crying out to be articulated and delineated; sexual needs were the unexplored stuff of life - how well Vienna painters like Klimt and Schiele knew this - and, as Freud worked it all out for us, not necessarily dangerous. Where better to bring this to flesh-and-blood life than on stage? Read more... |
Lord Arthur's Bed, King's Head TheatreFriday, 05 March 2010
Regular punters at the King’s Head are familiar with cheerily naked gay romps, they are quite a speciality in this much favoured North London haunt, possibly enhanced by the intimate dimensions of the theatre itself. In Martin Lewton's Lord Arthur's Bed the stark lighting and very basic set – a double bed and a dining chair – further highlight the sensation of almost prurient proximity, something almost immediately addressed by Ruaraidh Murray’s very in-yer-face Jim, who tells the... Read more... |
Ghost Stories, Lyric HammersmithThursday, 04 March 2010
“There is no hell, there is no heaven. This, this is real, this is now, and here is where matters.” So Professor Philip Goodman, sceptical expert in parapsychology and debunker of superstition, assures us. Except that what we are watching isn’t real, it’s theatre. The Professor is actually Andy Nyman, creative partner of celebrated trickster and mentalist Derren Brown and co-author of Ghost Stories with Jeremy Dyson of comic grotesques The League of Gentlemen. Read more... |
Private Lives, Vaudeville TheatreThursday, 04 March 2010
The Vaudeville Theatre is turning into London's de facto playground for female icons from American TV. A few weeks ago, the venue hosted the misbegotten local cabaret debut of Will and Grace star Megan Mullally, who had scarcely set foot on stage before announcing that she had left her star-making role of Karen at home. Read more... |
Moonfleece, Rich MixThursday, 04 March 2010
Although our culture is obsessed with youth, very few adults can connect directly with teenagers. Instead teens have become the object of our fears — there’s even a posh word for this: ephebiphobia. In drama, teens are often portrayed as a problem to be solved, and deprived of their own voices. By welcome contrast, Philip Ridley’s Moonfleece, which opened last night in London and will tour the north of England, is unforgettably teenage in every way — it is young, young, young! Read more... |
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★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
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