tue 23/09/2025

tv

West Side Stories: The Making of a Classic, BBC Two

David Benedict

The last time BBC TV headed over to West Side Story, it landed itself with a contradiction. Christopher Swann’s 1985 fly-on-the-wall documentary The Making of West Side Story – about Leonard Bernstein recording his celebrated score with a cast of opera singers – bagged the prestigious Prix Italia, but the actual material was a wildly unidiomatic misfire. The reverse was true of BBC2’s Boxing Day special West Side Stories – The Making Of A Classic.

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Doctor Who: The Return of Doctor Mysterio, BBC One

Lisa-Marie Ferla

The best thing about a year without Doctor Who? It’s been a year since we last heard people (adults) complain that the show’s increasingly labyrinthine, convoluted plots were too complex for children.

But the best thing about this year’s Christmas special? It was a self-contained, fast-paced hour which perfectly captured the childlike wonder and good fun that has always been at the heart of a show about a time-...

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Maigret's Dead Man, ITV

Mark Sanderson

So this is Christmas – and what have they done? Scheduled a detective drama that begins with a family being carved up with an axe. Ho ho ho! While Maigret’s Dead Man was no doubt intended to provide a healthy corrective to the festive feel-goodery of Call The Midwife on BBC One, it goes too far. We could have done without the details of torture (a candle-flame to naked breasts) and bloody execution. At least it doesn’t show them (the details, not the breasts).

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Call the Midwife: 2016 Christmas Special, BBC One

Adam Sweeting

While Miranda Hart's Chummy is no more and Jessica Raine (who played Jenny Lee) has long since departed to perish in Line of Duty and pout crossly in Wolf Hall, Call the Midwife has evolved into a sort of Heartbeat with nuns, featuring antique pop songs and round-the-clock childbirth.

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Grantchester, Christmas Special, ITV

Adam Sweeting

Cambridge 1954, and Christmas was coming, which meant carol singing, mince pies and an unnecessarily conceptual nativity play. But murder was also on the menu, and once again handsome, jazz-loving vicar Sidney Chambers (James Norton) was about to prove himself a more imaginative crime-fighter than his buddy Inspector Geordie Keating (Robson Green).

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Alan Bennett’s Diaries, BBC Two

Marina Vaizey

Gather round the fire, friends: no Santa down the chimney this Christmas Eve, but the curiously comforting Alan Bennett, with his sardonic and occasionally optimistic diaries. The latest published instalment has the slightly wry title Keeping On Keeping On; Bennett tells us the original title was to be Banging On Banging On.

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Last Tango in Halifax, Christmas special, BBC One

Tom Birchenough

It could only happen in Halifax. The series' two families, whom we have come to know so well and – with exceptions – love, had arranged a pre-Christmas dinner out, festive-like as Alan, the ever-saintly Derek Jacobi, might put it.

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Darcey Bussell: Looking for Margot, BBC One

Marina Vaizey

Classical dancers conventionally have the briefest of all performing careers in the arts, knowing from the very beginning that they'll be lucky to have 20 years of performing at the top of their abilities, after at least 10 years training from childhood onwards. But Dame Margot Fonteyn (1919-1991) was a phenomenon, dancing into her sixties, for reasons that this painful and affectionate programme tactfully explored.

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Lenny Henry: A Life on Screen, BBC Two

Marina Vaizey

You couldn’t make him up – a big man in every sense, outspoken, spiky, adored, coming from a black working-class family to move from the proverbial nothing to become so much more than something. How to make a documentary tribute without it being sycophantic or a hagiography? By putting the man centre stage. Arise, Sir Lenny, the subject of a BAFTA tribute.

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Strictly Come Dancing 2016 Final, BBC One

Jasper Rees

What is light entertainment for? It won’t save the world or heal the sick or bring warring factions to the negotiating table. It’s teeth and smiles and bread and circuses on a Saturday night and it shouldn’t have to bear any greater weight. The Generation Game was never required to offer vital balm during the Three-Day Week. Barrymore didn’t nurse us all through Black Wednesday and Britain’s exit from the ERM.

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