sun 22/09/2024

tv

Masters of the Pacific Coast: The Tribes of the American Northwest, BBC Four

Marina Vaizey

The American northwest is gorgeous: endless lakes, limitless ocean, mountains, forests, overwhelming blue skies in deepest summer, mists and of course rain, in one of the wettest places on earth – 4 metres of rain annually. Here were hundreds of islands too, archipelagos in a land almost infinitely rich in resources, from the Alaskan Panhandle and British Columbia south to Washington State.

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Naked Attraction, Channel 4

Jasper Rees

Remember Sex Box? Perhaps you were wisely watching paint dry that night instead. Sex Box was part of Channel 4’s ongoing commitment to making the nation’s toes curl in horror. It involved couples getting it eponymously on in the titular container, after which they emerged blinking into the studio lights to give a blow by blow account to Mariella Frostrup. As if that wasn’t barrel-scrapingly unBritish enough, here for your viewing pleasure is Naked Attraction.

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Saddam Goes to Hollywood, Channel 4 / Keith Richards: The Origin of the Species, BBC Two

Adam Sweeting

Incredible but true, Iraqi dictator Saddam Hussein really did hire a largely-British film crew to come to his country and make a movie called Clash of Loyalties, about how Iraq freed itself from British influence in the 1920s and blossomed into an independent state. It never made it as far as a cinema release, but the footage was recently rediscovered in a garage in Surrey by its producer, Latief Jorephani (pictured below).

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Imagine... Danger! Cornelia Parker, BBC One

Marina Vaizey

Squash! Bulldoze! Blow-Up! Tie Up! Break-Up! Re-Build! There is practically nothing the artist Cornelia Parker won’t and can’t do with found materials, offcuts, the discarded and the recycled, not to mention tieing up Rodin’s The Kiss at the Tate in miles of string. 

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The Secret Agent, BBC One

Adam Sweeting

Based on an abortive real-life attempt to blow up the Royal Observatory in Greenwich in 1894, Joseph Conrad's novel The Secret Agent has sometimes been held up as a harbinger of the kind of terrorist attacks the world has been subjected to by the likes of Baader-Meinhof, Al Qaeda and Isis. Doubtless this was part of the BBC's motivation for making this new three-part dramatisation.

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The Hunter, All4

Matthew Wright

Crime and detective drama often shows us who we think we are. Despite typically baroque plotting, and murder statistics in which the sleepiest of rural settings shades downtown Aleppo, there’s a sense that in how we respond to poisoning, stabbing and strangling, a quintessential national characteristic emerges. Be it Sarah Lund, Hercule Poirot, or any of Ray Winstone’s gravelly felons, television’s criminals and detectives hold a mirror to the soul.  

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The Banker's Guide to the Art Market, BBC Four

Florence Hallett

This programme was not ironic, humorous or in any way lighthearted. I’m fairly sure of that, but worry that perhaps I’ve missed the joke.  A withering take-down or a meaty exposé of the corruption and excess of the extremely wealthy would have served a purpose, but this was neither.

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The Job Interview/My Worst Job, Channel 4

Barney Harsent

First appearances can be deceptive. You should notice them, take heed of them and then park them. This was the advice of Phillipa Darcy who, along with her daughter, Bertie, was interviewing candidates for a job as assistant manager for Whickam House, an estate that doubles as a wedding venue, in Channel 4’s latest fixed-rig embarrassment machine.

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The Secret Life of Children's Books, BBC Four

Marina Vaizey

This emotive, even emotional half-hour programme focussed on a famous children’s book, The Water-Babies: A Fairy Tale for a Land-Baby, and its author, one of those totally astonishing Victorian polymaths, the Reverend Charles Kingsley (1819-1875). It was a surprising example of the ways in which words can change the world.

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19-2, Spike

Mark Sanderson

Canada has been Uncle Sam’s body-double in countless drama productions. Shooting on location is easier and cheaper north of the border. One twinkly city skyline looks very much like another. 19-2 is set in and around car number two as it patrols the clean streets of the 19th district of Montreal. And yes, from the very first moments – “Maybe we should call for back-up?” – it feels like we’ve been here before.

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