tv
Murder: The Third Voice, BBC TwoFriday, 04 March 2016
Three and a half years ago the writer Robert Jones and producer Kath Mattock came at the crime genre from an unusual angle. Instead of having characters in a murder case talk to one another, they all addressed the camera directly, each offering their own apparently unmediated viewpoint. The title took its cue from the direct style: Murder. Murder: Joint Enterprise won a Bafta. Read more...
|
Grantchester, Series 2, ITVThursday, 03 March 2016
Author James Runcie (son of the former Archbishop of Canterbury) hit on a cunning formula with his Grantchester Mysteries. Since the British are incurably addicted to maverick detectives, country house mysteries, clergymen who are part-time sleuths and foul deeds in the heart of the English countryside, why not just repackage the lot like a larcenous Greatest Hits? Take one cleric, add one copper, plant 'em in the Grantchester meadows... Now That's What I Call Crime! Read more... |
Churchill's Secret, ITVMonday, 29 February 2016
When it comes to losing power, and powers failing, Michael Gambon has once again proved himself the ruler of choice. Read more... |
Bolshoi Babylon, BBC FourMonday, 29 February 2016
Here’s a paradox. Just as the words “new Cold War” were beginning to form on the lips of political commentators in the West, two British film-makers, former TV newsmen no less, were being granted uncensored access to the Bolshoi Theatre – just 500 metres from the Kremlin – to make a candid documentary for HBO. Their cameras didn't stop turning for four months. Read more... |
Eurovision: You Decide, BBC FourSaturday, 27 February 2016
It was all a far cry from the Leeds Piano Competition. Shunted on to BBC Four after the disappearance of BBC Three to online, Eurovision: You Decide nevertheless remained true to its new channel’s original remit. In today’s no-brow, morally neutral multiverse it would be churlish to point out the thoughts that it encouraged were entirely dirty ones. Read more... |
Who's the Boss?, BBC TwoWednesday, 24 February 2016
Who’s the Boss? occupies a square-eyed quadrant somewhere between Gogglebox and The Apprentice. If you like those, you’ll probably like this jaunty workplace experiment in which it’s not the boss who hires applicants for a new job, but the workforce. In Ancient Rome they called it Saturnalia, when for one day of the year the hierarchy was reversed. Read more... |
The Night Manager, BBC OneMonday, 22 February 2016
John le Carré's 1993 novel The Night Manager was his first post-Cold War effort, and the fortuitous setting of its early scenes in a hotel in Cairo has allowed TV dramatiser David Farr to move the action forward from the post-Thatcher fallout to the 2011 "Arab Spring". Here we encountered the fastidiously tailored Jonathan Pine, the titular night manager of the Nefertiti hotel, a man who keeps his head while all around him is panic, gunfire and explosions. Read more... |
One Child, BBC TwoThursday, 18 February 2016
Last year China began formally to phase out the one-child policy which had been in place since 1979. So a drama called One Child arrives at the right time. It forms the least worshipful component of the BBC’s current China season, which mainly interests itself in food and history. Its focus is in fact not on the ruinous psychological and economic consequences for a nation of only children. Read more... |
Vinyl, Sky AtlanticTuesday, 16 February 2016
You can almost hear the words ringing out in the dramatic pauses. “We should call it Vinyl. Like, y’know... when you could hold music in your hand... touch it... FEEL it. When it was really WORTH something. Read more... |
The Renaissance Unchained, BBC FourTuesday, 16 February 2016
Waldemar Januszczak always has a provoking agenda to shape his now nearly countless forays into television art history. In this four-part series he's out to challenge what he sees as the unthinking acceptance of the one-dimensional traditional and monopolistic version of the Renaissance. Read more... |
Pages
latest in today
Music Reissues Weekly: New Jill Swing
As the name of a music genre, new jack swing was coined in an issue of the Village Voice dated 18 October 1987. Writer Barry Michael...
Blu-ray: Crumb
Robert Crumb puts America’s racist, misogynist Id on paper with self-implicating obsession. Terry Zwigoff’s 1995...
Bavouzet, Nemecz, McLachlan, Manchester Camerata, Takács-Nag...
“Mozart, made in Manchester”, the project to perform and record...
A Very Royal Scandal, Prime Video review - a fairly sound re...
Why do production companies think the world needs yet another reconstituted TV drama involving famous people in infamous situations? Newspapers...
The law's sick voyeurism - director Cédric Kahn on...
The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of...
Album: Katy Perry - 143
Life can be unfair, and Katy Perry can’t be alone in finding herself having to take the rough with the smooth. Still, anyone would have thought...
Nightsleeper, BBC One review - strangers on a runaway train
“Let the train take the strain”, as the old advertising slogan urged us. The train in this...
Notes from Sheepland review - her farm is her canvas
Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she...
The Substance review - Demi Moore as an ageing Hollywood cel...
If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally...
Moby, O2 review - ebullient night of rave'n'rock...
Sometimes a gig suddenly and completely elevates. Such is the case tonight when Moby, on his first UK tour in 12 years, plays “Extreme Ways”, his...