fri 18/07/2025

tv

Live from the National Theatre: 50 Years on Stage, BBC Two

Jasper Rees

These celebrations of our yesterdays can easily end up all camembert and wind. But while film people and television people will generally cock such things up, we do still have the odd cultural institution which can be relied upon to throw the right sort of party. For the National Theatre's golden jubilee, therefore, the stops were jolly well pulled out and the invitations damn well accepted from the actors who, striplings at the Old Vic in the Sixties, are now our own Oliviers and Ashcrofts...

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Bedlam, Channel 4

Tom Birchenough

Compulsives may be wondering whether it was coincidence that Bedlam, Channel 4’s new four-part documentary following the work of the Bethlem Royal Hospital, reached our screens in the same week that the same channel’s Obsessive Compulsive Cleaners returned for a second series. The channel’s own internal debate as to whether it’s out to entertain or enlighten us has clearly not gone away.

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The Escape Artist, BBC One

Adam Sweeting

Most of us like a good legal drama, which is why there have been so many of them. By the same logic, finding a fresh spin or a new way of writing and shooting them inevitably grows ever-tougher.

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Ripper Street, Series Two, BBC One

Lisa-Marie Ferla

Proof that the BBC’s love of gritty realism is not solely the province of Luther and similar modern-day urban crime dramas comes just minutes into the second series of Ripper Street, before the credits even roll.

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A Very English Education, BBC Two

Jasper Rees

In the early 1980s the television producer Richard Denton was given considerable access and freedom of movement to make Public School. His documentary about Radley College remains the only really frank account of what goes on inside such an institution.

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The Who: The Story of Tommy, BBC Four

Adam Sweeting

Grand claims and superlatives were not lacking in this examination of The Who's fabled rock opera. "This is a quintessentially important creation," said Des McAnuff, the man who staged Tommy on Broadway and in London's West End. "This might just be the first pop masterpiece," wrote pop critic (and Pete Townshend's pinball-playing buddy) Nik Cohn in his review in 1969.

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Arena: The National Theatre, Part One - The Dream, BBC Four

Claudia Pritchard

How irksome in some ways for the National Theatre that both the glamour and the accessibility of cinema have bookended its first 50 years, when the company and, latterly, its Southbank home, are essentially driven by and dedicated to live performance. But it was Laurence Olivier’s film career, making him a household name, which helped secure for him the job as first director of the National Theatre in 1963.

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Ambassadors, BBC Two

Jasper Rees

The funny business of being British, and the even funnier business of being foreign, are at the heart of the latest vehicle for the talents of David Mitchell and Robert Webb. They’ve conquered the sketch format and the grimy sitcom but in Ambassadors they branch out into trickier terrain of comedy drama. The show's task is to snigger at the absurdities of international diplomacy while also showing signs of some sort of beating heart.

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Cherry Healey: Old Before My Time, BBC Three

Thomas H Green

Vivacious blonde presenter Cherry Healey’s latest three-part series aims to show how a dangerously large proportion of the nation’s youth are abusing themselves with booze, drugs and food “until their young bodies and minds are ready for retirement". Part one – about alcohol - opens, predictably, on the streets of Newcastle where the usual array of working class Geordie pissheads they snag for these programmes are staggering about Bigg Market and slurring that they just don’t care.

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The Paradise, Series Two, BBC One

Tom Birchenough

“Everything has happened so quickly,” Katherine Glendenning mused as the new series of The Paradise shot off the block. She'd been en voyage for a year, losing a father and gaining a husband, but now Katherine was back.

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