sun 06/07/2025

tv

Spies of Warsaw, BBC Four

Lisa-Marie Ferla

It’s rare for a wartime drama not to hide behind an elliptic or poetic title. Spies of Warsaw - a two-part adaptation of Alan Furst’s 2008 novel of the same name - misses out on a place in the canon by a couple of years, but the looming Second World War provides the backdrop to Dick Clement and Ian La Frenais’ stylish, atmospheric thriller.

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The Riviera: A History in Pictures, BBC Four

Tom Birchenough

For a man immortalised by his wails of rainy misery from the moors of Withnail and I, you would expect Richard E Grant to be very happy on the Riviera. He is, with the suave aristo manner of the Englishman abroad. Which is fitting for The Riviera: A History in Pictures, because the Riviera practically belonged to the Brits - we hivernots, winter escapers from northern cold - before the French realised it was there at all.

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Mr Selfridge, ITV1

Tom Birchenough

Welcome to the marble halls of Mr Selfridge. All the world, in ITV’s new costumer (in every sense), isn’t a stage - it’s a shop. And bestriding his eponymous Oxford Street emporium, which we saw in this first episode in the run-up to its 1909 grand opening, like a colossus is Jeremy Piven as Harry Gordon Selfridge, the American who came from his native Chicago to open the world’s finest department store of its time.

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Borgen, Series 2, BBC Four

Jasper Rees

Is it possible to have a surfeit of Danish coalition politics? Anyone who recently ingested 10 hours of The Killing III may well be asking themselves as they sit down to a second serving of Borgen. Borgen is, in essence, The Killing without the killing: intense multi-party wrangles with a side order of family dysfunction. To think we’ve waited a year.

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Queen Victoria's Children, BBC Two

Jasper Rees

They muck one up, one’s ma and pa. Later this year, all being tickety-boo, a royal uterus will be delivered of the third in line to the throne. The media in all its considerable fatuity will ponder the best way to bring up such an infant in the era of, for instance, Twitter. Full marks go to the BBC’s history department for mischievously lobbing this cautionary little gem into the pot. Queen Victoria’s Children is a three-part manual in how not to raise a future monarch.

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Ripper Street, BBC One

Adam Sweeting

Perpetually reborn in movies and TV series, Jack the Ripper rides again in Ripper Street, which is set in Whitechapel in 1889, in the aftermath of the much-mythologised murders. Except this time, the subject isn't the Ripper himself so much as the dread and hysteria he left in his wake, which shrouds the murky streets like poison gas.

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London 2012 and Beyond: The Best of 2012

Jasper Rees

The Mayan calendar recently suggested it was all over. It is now, almost. 2012 was, by anyone’s lights, an annus mirabilis for culture on these shores. The world came to the United Kingdom, and the kingdom was indeed more or less united by a genuine aura of inclusion. Clumps of funding were hurled in the general direction of the Cultural Olympiad, which became known as the London 2012 Festival, and all sorts leapt aboard.

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Hollywood’s Lost Screen Goddess: Clara Bow, BBC Four

Kieron Tyler

“Knowing Clara Bow brought you down socially”. Although one of the biggest and most bankable film stars of the Twenties, luminous fan-favourite Clara Bow wasn’t so treasured by the Hollywood elite. She didn’t hide her affairs. She turned up for dinner in a swimsuit. Her father was an alcoholic and banned from sets. She revealed her deprived background to the press, undermining the myth that stars sprang fully formed from the Elysian Fields.

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Restless, BBC One

Fisun Güner

William Boyd wrote the screenplay for this adaptation of his 2006 espionage novel, and since it’s integral to the whole he retained its two-part structure. The first concerns the World War II activities of former British intelligence spy Eva Delectorskaya, the second, set in 1976, concerns her efforts to lay the past to rest. Not only has the past cast a dark shadow over her life but it continues to endanger it. For this she enlists the help of her daughter.

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Panto!, ITV1

Lisa-Marie Ferla

Pantomime is one of the great festive traditions and the version of Dick Whittington envisaged by John Bishop in this one-off comedy drama checked off every single one of the clichés. Taking a writer’s credit alongside Jonathan Harvey of Gimme Gimme Gimme fame, the Liverpool comic drew on his experiences on regional stages near the beginning of his showbiz career in pulling together the script.

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