tue 10/06/2025

tv

Mister Eleven, ITV1

Jasper Rees The infernal triangle: Michelle Ryan and other eye candy

You can just picture the meeting. Someone stands up and pitches. “We’ve got this girl, see. And she’s good at numbers, OK? You know, maths and stuff. But here’s the thing: she knows that statistically her best chance of a successful marriage is if she gets hitched to her 11th sexual partner when she’s 28. With me so far, guys? Trouble is, she discovers on her wedding day that Mister Eleven is really Mister Ten. Yeah? And then all hell breaks loose. What you reckon? Eh? Think it’s a goer?”...

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The Art of Russia, BBC Four

Josh Spero

If Andrew Graham-Dixon's arts career ever goes belly-up, there is surely a microphone with his name on it at Radio 4, so warm and confident and trustworthy is his voice. Judging, however, by his new three-part programme on BBC Four, The Art of Russia, there is no chance of this happening soon.

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Games Britannia, BBC Four

Jasper Rees Benjamin Woolley contemplates his next move in an intriguing history of board games

A bit like the British constitution, it’s never been written down. That doesn’t mean it doesn’t exist: the edict, issued from a leather-bound desk somewhere within the innermost enclave of the citadel that is Television Centre, that an audience’s intelligence must never in any circumstances ever be taken as a given. No horses were frightened in the making of this programme.

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Small Island, BBC One

Adam Sweeting

Luckily, the budget for this two-part adaptation of Andrea Levy's prizewinning novel stretched to some location shooting in Jamaica. The contrast between the Caribbean's luminous skies and brilliant colours and crushed, monochrome, half-dead 1940s London is almost too painful to watch. It's the perfect visual metaphor for a story about Technicolor dreams crashing to earth

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Storyville: Simon Mann's African Coup, BBC Four

Jasper Rees

It always used to be said that boarding school prepares you for every hardship. Whether that includes prison in one of the most impenitent dictatorships in Africa is not a question that was put to Simon Mann in last night’s edition of Storyville. Mann, still incarcerated when the BBC caught up with him, was awaiting a pardon from President Teodoro Obiang, the very potentate he had attempted to topple five years earlier.

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Paradox, BBC One

Adam Sweeting Tamzin Outhwaite as DI Rebecca Flint takes a drive with antisocial boffin Dr Christian King (Emun Elliott)

The best thing in Paradox so far has been the enormous explosion that provided the climax to episode one, as a train stranded on a railway bridge was incinerated by an erupting chemical tanker. A dramatic aerial shot captured an angry pillar of smoke and flames shooting hundreds of feet into the air, against a backdrop of lush Lancashire countryside.

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Margot, BBC Four

Ismene Brown

If Margot Fonteyn and Rudy Nureyev were the most massively important people who ever existed in ballet, then the most massively important question that ever existed in ballet was, did they sleep together? Last night Margot got this over pleasingly quickly. There was the quivery BBC anno at the start that there would be scenes “of a sexual nature”, and hop-skip-jump the couple were at it like rabbits straight after their first performance together.

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Why Beauty Matters/ Ugly Beauty, BBC Two

Josh Spero

The battleground: beauty. What’s at stake: our souls. At least on these two things philosophy don Roger Scruton (presenter of Why Beauty Matters) and art critic Waldemar Januszczak (presenter of Ugly Beauty) were agreed in the Modern Beauty season. For despite very different ideas of beauty, they both reached the same conclusion: it is there to nourish the soul.

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We Are Family, BBC Two

Gerard Gilbert Five of the Minchew siblings: from left to right - David, Stewart, Beryl, Dennis and Noel

That queen of solipsism, Katie Price, hasn’t been the only person on TV this week seeking “closure” (loved the short but savage Graham Norton spoof of Price on Monday night's show, by the way), and a new documentary series, We Are Family, is offering four collections of relatives the chance to settle their differences on camera. And no need to dine on wichetty grubs either. In fact the opening clan, the Minchews, was put up in a country-house hotel as its members patched up their feuds...

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Gavin and Stacey, BBC One

Jasper Rees

When is enough? The template usually cited as the perfectly proportioned lifetime for sitcom is Fawlty Towers. It ran for two series, 12 episodes - in and out, no mucking about. The Office deliberately kept the same hours, give or take the odd Christmas special and an entire American remake.

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