wed 14/05/2025

Florence Hallett

Florence Hallett's picture
Bio
Florence writes about the visual arts for a range of specialist and general interest publications.

Articles By Florence Hallett

Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent

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The Courtauld Gallery - the old place, just better

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Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in print

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The Making of Rodin, Tate Modern review - surrealist tendencies

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Turner's Modern World, Tate Britain review - the universal artist

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This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now)

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Prix Pictet: Confinement review - a year in photographs

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Artemisia, National Gallery review - worth the wait

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My Rembrandt review - hard cash and hubris

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Khadija Saye: In This Space We Breathe, 236 Westbourne Grove review - a celebrated series finds new resonance

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The Golden Age of Modern Spanish Art, Colnaghi review - the sun shines in the City of Light

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Celia Paul: My Studio, Victoria Miro review - sublime isolation

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Shirley Baker: A Different Age, James Hyman Gallery review - the old at leisure

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Explore Soane review - the museum restored and in 3D

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Visual Arts Lockdown Special 4: sculpting like Rodin, watching artists, and more

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Christo (1935-2020) - 'Beauty, science and art will always triumph'

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The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...