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Bernard Hughes

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Bernard Hughes is a composer and writer, based in London.

Articles By Bernard Hughes

Echo Vocal Ensemble, Latto, Union Chapel review - eclectic choral programme garlanded with dance

Tuesday, 07 October 2025 Read more...

Kanneh-Mason, Britten Sinfonia, Shave, Milton Court - a grin and a big beaming smile

Friday, 03 October 2025 Read more...

Justin Lewis: Into the Groove review - fun and fact-filled trip through Eighties pop

Thursday, 02 October 2025 Read more...

Goldscheider, Brother Tree Sound, Kings Place review - music of hope from a young composer

Saturday, 27 September 2025 Read more...

Appl, Levickis, Wigmore Hall review - fun to the fore in cabaret and show songs

Wednesday, 17 September 2025 Read more...

BBC Proms: Steinbacher, RPO, Petrenko / Sternath, BBCSO, Oramo review - double-bill mixed bag

Tuesday, 09 September 2025 Read more...

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste review - Arvo Pärt 90th birthday tribute

Friday, 01 August 2025 Read more...

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating Lutosławski, underwhelming Rachmaninov

Thursday, 31 July 2025 Read more...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - glorious Vaughan Williams

Saturday, 19 July 2025 Read more...

Siglo de Oro, Wigmore Hall review - electronic Lamentations and Trojan tragedy

Saturday, 05 July 2025 Read more...

Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending lark

Tuesday, 27 May 2025 Read more...

Josefowicz, LSO, Mälkki, Barbican review - two old favourites and one new one

Tuesday, 20 May 2025 Read more...

Stile Antico, Wigmore Hall review - a glorious birthday celebration

Tuesday, 13 May 2025 Read more...

Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard British piano concerto

Thursday, 17 April 2025 Read more...

London Choral Sinfonia, Waldron, Smith Square Hall review - contemporary choral classics alongside an ambitious premiere

Wednesday, 16 April 2025 Read more...

Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic Brahms

Thursday, 27 February 2025 Read more...

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Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...

First Person: clarinettist Oliver Pashley on the new horizon...

“Why the name?” and “Why the instruments?” are the two most common things we get asked about our group. As a member of The Hermes...

London Film Festival 2025 - a Korean masterclass in black co...

No Other Choice

Park...

Gesualdo Passione, Les Arts Florissants, Amala Dior Company,...

This powerful, austere collaboration between Les Arts...

Classical CDs: Camels, concrete and cabaret

 

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'Deadbeat': Tame Impala's downbeat rave-inspi...

Anxiety and self-doubt have been constant themes for Kevin Parker, the Australian musician who now finds himself among the highest echelons of...