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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Kehinde Wiley, National Gallery review - more than meets the eye

Friday, 10 December 2021 Read more...

Lubaina Himid, Tate Modern review – more explication please

Monday, 29 November 2021 Read more...

Waste Age, Design Museum review - too little too lame

Friday, 29 October 2021 Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Thursday, 07 October 2021 Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Tuesday, 05 October 2021 Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Friday, 01 October 2021 Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Wednesday, 29 September 2021 Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Wednesday, 22 September 2021 Read more...

The Story of Looking review – bedside musings on how and what we see

Saturday, 18 September 2021 Read more...

The Lost Leonardo review - an incredible tale as gripping as any thriller

Tuesday, 14 September 2021 Read more...

Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

Monday, 09 August 2021 Read more...

El Father Plays Himself review – a roller coaster ride of mixed emotions

Saturday, 07 August 2021 Read more...

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Monday, 28 June 2021 Read more...

Bank Job review - an inspirational look at finance

Wednesday, 09 June 2021 Read more...

Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

Friday, 28 May 2021 Read more...

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Music Reissues Weekly: The Sonics - High Time

“Theirs is truly rock in extremis, a précis of the youthful impetuosity and cathartic chaos at the heart of real rock ’n roll.”

This extract...

Album: Benson Boone - American Heart

I first had a conversation about Benson Boone without realizing it was him we were talking about. It went something like: “Did...

28 Years Later review - an unsentimental, undead education

The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012...

RNCM International Diploma Artists, BBC Philharmonic, MediaC...

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small...

Prost, BBC 4 review - life and times of the driver they call...

With Brad Pitt’s much-trumpeted F1 movie about to screech noisily into the multiplexes, it’s not a bad time to be reminded of the career of one of...

Classical CDs: Bells, whistles and bowing techniques

 

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Album: Yungblud - Idols

Yungblud has declared his fourth album, Idols, to be a “a project with no limitations”. This is quite a claim.

So, what musical...

Monteverdi Choir, English Baroque Soloists, Suzuki, St Marti...

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of...