fri 07/03/2025

Visual Arts Reviews

Lee Miller, Imperial War Museum

Marina Vaizey

What a woman. Does the news that Kate Winslet is to play the polymath Lee Miller in a Hollywood biopic mean a kind of sanctified apotheosis of Miller's quite extraordinary life? The story is so dramatic it transcends any fiction. Her path was controversial, imaginative, accomplished, and in many ways profoundly sad, an emotional roller-coaster. But the legacy is astonishing, as more and more of her achievement as a photographer is revealed.

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Giacometti, National Portrait Gallery

Florence Hallett

Any number of puzzling and fantastical stories were told by Alberto Giacometti in the construction of a personal mythology that helped secure his reputation as an archetypal artist of the avant-garde. Less heroic than the oft-quoted accounts of his transformative, visionary experiences, the story of his return to Paris after the Second World War is no less poignant, nor significant for all that.

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Peter Lanyon, Courtauld Gallery

Marina Vaizey

Free as air, but there was a very heavy price to pay for his ecstatic exploration of the sky by the Cornwall painter Peter Lanyon, who died in 1964, aged just 46, as a result of injuries received in a gliding accident. 

The Courtauld Gallery is known for its series of original, incisive, acute and intense exhibitions taking a sharply focused view of one aspect of an artist’s work. Often these provide a revelation and so it is here.

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Risk, Turner Contemporary

Sarah Kent

Yves Klein staged a photo of himself, in November 1960, swallow-diving into the air from a first floor window, arms outstretched like a bird.

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Jimmie Durham, Serpentine Gallery

Sarah Kent

The first thing you encounter is a ballot box bolted to the lid of a school desk; what or whom you might be voting for – apart from the hope of change – is not specified. In the eyes of Jimmie Durham, change is badly needed; in fact, most of the premises on which western society is built could do with a radical rethink. Judging by the state of the box, though – the lid looks as if it has been prized open and bolted down many times – fair and free elections seem unlikely.

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Frank Auerbach, Tate Britain

Marina Vaizey

A finely honed and spacious selection dating from the 1950s to now, looks in acute focus at the work – a scatter of drawings, a print, but almost entirely paintings – of Frank Auerbach, (b 1931). An only child, he came without his family, from Berlin to England in 1939. His parents were murdered in the Holocaust. He is now one of the most remarkable painters of our time.

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Goya: The Portraits, National Gallery

Fisun Güner

The brute nature of man in times of war, religious persecution and hypocrisy, and the destructive power of superstition. Francisco de Goya’s fame today largely rests on such themes, and they go a long way to explain just why he’s often considered the first modern artist. 

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Turner Prize 2015, Tramway, Glasgow

Fisun Güner

What’s going on? It seems the Turner Prize judges not only ran out of Scots to nominate this year, but actual artists. The socially enterprising architect-design collective Assemble don’t even call themselves artists so what must they make of the novelty of being shortlisted for the UK’s premier contemporary art prize? I’ve no doubt they’re delighted, especially since they appear favourites to win, but what a turn up.  

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Ben Rivers: Earth Needs More Magicians, Camden Arts Centre

Sarah Kent

Filmmaker Ben Rivers is drawn to outsiders and misfits, people who prefer solitude over society and live in shacks in the sticks rather than bungalows in the suburbs. Living in the Kent cottage she shared with her painter husband Roy Oxlade until his death last year, Rose Wylie hardly fits the bill; yet one can see why Rivers was drawn to her.

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Ai Weiwei, Royal Academy

Fisun Güner

Ai Weiwei’s first major survey in the UK is a better looking exhibition than I had anticipated, but what it gains in looks it sadly lacks in substance – backstory and information not being quite the same.

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