Visual Arts Reviews
Joshua Reynolds, Wallace CollectionSaturday, 21 March 2015
The grand but domestic setting of Hertford House, home of the Wallace Collection, makes a fitting backdrop to an exhibition of paintings by Joshua Reynolds. The Marquesses of Hertford acquired some 25 paintings by Reynolds in the artist's lifetime, and after it, and the 12 that remain in the collection form the focus of this exhibition. Read more... |
Alexander McQueen: Savage Beauty, Victoria & Albert MuseumWednesday, 18 March 2015
Alexander McQueen designed some dresses to die for. Dominating a wood-panelled room dedicated to Romantic Nationalism, in acknowledgement of his Scottish origins, is a crimson cape worn over a simple white dress. The high collar, puffed sleeves and long train lend the shimmering red taffeta a baronial splendour perfect for dramatic entrances. Read more... |
Richard Diebenkorn, Royal AcademyMonday, 16 March 2015
Made an Honorary Royal Academician just a few months before he died, in 1993, it’s taken till now for a posthumous Royal Academy survey to finally bring one of the absolute greats of American postwar painting to a UK audience. Of course, for those with long memories, there was the Whitechapel Gallery exhibition of 1991, but though it provided the impetus for the belated honour, it seemed to do little to bring the paintings of Richard Diebenkorn into the public realm. Read more... |
Gift Horse, Fourth PlinthFriday, 06 March 2015
The unveiling of the Fourth Plinth has, since his election to office, been an opportunity for Mayor Boris Johnson to work the press pen with a comic turn. So, the commission, sponsored by the mayoral office, gets a media-chummy spokesperson whose art critiques add a note of gaiety to proceedings, even if they’re self-evidently at odds with what the artist had in mind. See them as an ongoing election campaign. Read more... |
Inventing Impressionism, National GalleryWednesday, 04 March 2015
Here is an exhibition that tells us how something we now take totally for granted actually came about: how our love affair with the Impressionists was masterminded by an art dealer, Paul Durand-Ruel (1831-1922). He was a prime mover in inventing the way art is dealt with by commercial galleries and even museums, and is credited as the inventor of the modern art market. Read more... |
Goya: The Witches and Old Women Album, Courtauld GallerySaturday, 28 February 2015
The sight of two old women fighting in the street would probably meet with roughly the same response from passers-by whether it happened today or 200 years ago – a queasy mixture of dismay, embarrassment and amusement. To get close to Goya’s drawing of two ancient crones locked in a wrestlers’ embrace, their toothless faces both grimly determined, is to experience those uneasy sensations just as he surely did. Read more... |
Sculpture Victorious, Tate BritainFriday, 27 February 2015
Recent attitudes to Victorian Britain have changed radically. The popular view used to be of a period filled with a kind of smug imperial confidence, underwritten by the increasing wealth of the industrial age. This ingrained assumption was perhaps epitomised by Lytton Strachey’s 1918 Eminent Victorians, which saw the eminences as bungling hypocrites. Read more... |
Picasso: Love, Sex and Art, BBC FourThursday, 26 February 2015
So, Picasso’s last words turned out not to be, “Drink to me. Drink to my health. You know I can’t drink anymore” – yes, those famous last words that inspired a Paul McCartney dirge – but were, according to this TV biography looking at Picasso’s women and how each significant relationship informed the direction of his work, “Get me some pencils”. A more prosaic request, certainly, but he died in bed, aged 93, his pencils delivered and drawing to the last. It was a good and fitting end. Read more... |
Salt and Silver, Tate BritainWednesday, 25 February 2015
Captured in monochromes ranging from the most delicate honeyed golds to robust gradations of aubergine and deep brown, the earliest photographs still provoke a shiver of surprise and excitement. Even now, their very existence seems miraculous, and the blur of a face, or the lost swish of a horse’s tail signifies the photographer’s pitched battle with time, never quite managing to make it stop altogether. Read more... |
Whitworth Art Gallery Reopens with a Meteoric BangWednesday, 18 February 2015
The Whitworth Art Gallery was showered with meteors in a spectacle devised by the artist Cornelia Parker on its reopening weekend – appropriately Valentine’s Day. The £15m project (architects MUMA) has doubled the exhibition spaces, reclaimed the Victorian Grand Hall from offices, added state-of-the-art on-site storage and more space for conservators. Read more... |
Pages
latest in today
Albert Herring, Scottish Opera review - fun, frivolity, and...
Having premiered at the Lammermuir Festival earlier this year, Daisy Evans’s new production of...
theartsdesk Q&A: director Jacques Audiard on his Mexican...
Jacques Audiard – creator of such subversive crime dramas and alternative romances as Read My Lips (2001), The Beat That My Heart...
The Wild Duck, The Norwegian Ibsen Company, Coronet Theatre...
“I think this is all very strange,” declares 14-year-old Hedvig Ekdal at the end of The Wild Duck’s third act, just as everything is...
London Film Festival 2024 - Angelina Jolie does Maria Callas
Maria
How do you solve a problem like Maria?...
Encounters, Royal Ballet review - exciting mixed bill with a...
In 2022, the American choreographer Pam Tanowitz made a duet on...
Emilia Perez review - Audiard's beguiling musical tribu...
A Mexican drugs cartel boss. A transitioning man. A strikingly beautiful woman lawyer risking all against corruption. Bittersweet songs...
First Person: Bob Riley on Manchester Camerata's champi...
In May, it was announced that Greater Manchester was to...
Dahomey review - return of the king
Mati Diop’s “speculative documentary” reverses the transatlantic journey of her feature debut Atlantics’ ghost Senegalese migrants, as...
Le nozze di Figaro, The Mozartists, Page, Cadogan Hall revie...
Ten years ago, Ian Page launched his and the Mozartists’ (then Classical Opera’s) remarkable endeavour to play music by WA Mozart 250 years after...