Classical Reviews
Das Paradies und die Peri, LSO, Rattle, BarbicanMonday, 12 January 2015
Sir Simon Rattle wants you to hear Das Paradies und die Peri. He is convinced that Schumann’s oratorio is one of the great undiscovered masterpieces of the Romantic era. To that end, he has led performances with the Berlin Philharmonic and an all-star cast, and has now brought that cast to London to convert the Brits. Read more...
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In C, London Sinfonietta, Kings PlaceSunday, 11 January 2015
There’s nothing like Terry Riley’s In C to reawaken a past epoch. Of variable length, built from 53 melodic fragments, this minimalist construct of 1964 was almost designed to be performed and experienced lying on cushions in a marijuana haze – though a state somewhat ruptured by the home listener’s need to stir and turn over the vinyl LP in order to hear the other side. Read more... |
Simón Bolívar Symphony Orchestra of Venezuela Concert 2, RFHSaturday, 10 January 2015
The Simón Bolívar orchestra is the musical answer to the question “Would you like to supersize that?” A youth orchestra in bulk, if no longer in name, the ensemble has made a signature of its heft, making repertoire work on its own terms rather than adjusting itself to fit. On Thursday night, full-fat Beethoven and Wagner that threatened to overspill in the generosity of their gestures, so how would the orchestra fare with Mahler’s mighty Fifth Symphony? Read more... |
Classical CDs Weekly: Janáček, Orff, David ChildsSaturday, 10 January 2015
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Simón Bolívar Symphony Orchestra of Venezuela, Dudamel, RFHFriday, 09 January 2015
Youth may have vanished from the title, and its first flush is gone from the cheeks of most of the young persons. Now they’re in their prime, a magnificent sight – and the sound, too, is that of a world-class orchestra with a voice. Which we heard at its most distinctive, deep and muscular, from the strings in the opening signals of Beethoven’s Fifth Symphony. So what went wrong with the music from Wagner’s Ring in their first 2015 Southbank concert’s second half? Read more... |
Scriabin Anniversary Recital, Ohlsson, Wigmore HallWednesday, 07 January 2015
Of Alexander Nikolayevich Scriabin, who died 100 years ago aged 43, it was said at one time (by Rimsky-Korsakov) that he was “warped, a poser and opinionated”, at another (by Boris Pasternak) that he could seem “as tranquil and lucent as God resting from his labours on the seventh day”. Only Pasternak’s definition applies to the magnificence of Garrick Ohlsson, a lion couchant who can use his wings to fly into the sun when Scriabin so requires. Read more... |
National Youth Orchestra of Great Britain, Wilson, Leeds Town HallSunday, 04 January 2015
Elgar. Hmm. Music for the home counties. Party conferences. Golf clubs, and chaps wearing tweed jackets. All wrong, of course; it’s easy to forget that this most misunderstood of composers was actually a bit of an outsider. A self-taught, working-class Catholic, he definitely wasn’t a member of the establishment. Read more... |
Classical CDs Weekly: Konstantia Gourzi, Ravel, Sarah WillisSaturday, 03 January 2015
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Best of 2014: Classical ConcertsTuesday, 30 December 2014
Offshoots of the Venezuelan El Sistema’s worldwide dissemination as well as other youth and music projects continued to bloom and grow in 2014. The morning after what was the orchestral concert of the year for many who caught it, Alexandra Coghlan (see below) and myself included, players of the European Union Youth Orchestra reconvened in the Albert Hall to workshop three classics with musicians from nine British youth orchestras and London schools. Read more... |
Bach B minor Mass, Trinity College Choir, OAE, Layton, St John's Smith SquareTuesday, 23 December 2014
While the embers of the concert year are dying out around the country, you can be sure of a great blaze-up at St John’s Smith Square. The annual Christmas Festival of quality early-music groups and top choirs – this is the 29th – now traditionally culminates in two great works for chorus and orchestra. Read more... |
Konstantia Gourzi: Music for piano and string quartet (ECM)Pages
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