sun 22/12/2024

Classical Reviews

Hahn, Kaleidoscope Chamber Collective, Wigmore Hall review - Americana old and new

Bernard Hughes

Artist-in-Residence at the Wigmore Hall Hilary Hahn brought her residency to an end with a collaboration with the exciting Kaleidoscope Chamber Collective, a notably youthful and ethnically diverse group, who brought with them a notably more youthful and ethnically diverse crowd than the hall usually entertains.

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Sinfonia of London, Wilson; Kolesnikov/Tsoy; Bozzini Quartet; Phantasm, Aldeburgh Festival review - new sounds for old

Boyd Tonkin

You don’t expect to visit the Britten-Pears shrine in Suffolk and come back raving about Edward Elgar. Yes, Elgar. On Sunday evening, John Wilson and his Sinfonia of London brought the composer’s Second Symphony to Snape Maltings: that marshland temple to every anti-Elgarian current in post-war British music.

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Osborne, BBC Philharmonic, Glassberg, Bridgewater Hall, Manchester review - energy and virtuosity

Robert Beale

The BBC Philharmonic ended its 2022-23 season in Manchester with a programme that might have been chosen as a showpiece for virtuosity.

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Turangalîla-Symphonie, LSO, Rattle, Barbican review - a farewell night to remember

Boyd Tonkin

Simon Rattle’s farewell season as music director of the London Symphony Orchestra has inscribed a sort of artistic memoir as he moves from one of his beloved blockbusters to another. Last night, he closed his account at the Barbican (though he will regularly return as “Conductor Emeritus”) with Messiaen’s mighty Turangalîla-Symphonie.

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Bocheng Wang, Wigmore Hall review - extraordinary agility and technical fluidity

Rachel Halliburton

Rachmaninov had his doubts about his Variations on a Theme of Corelli. He confided to Medtner that when he performed them, “I was guided by the coughing of the audience. Whenever the coughing increased, I would skip the next variation. Whenever there was no coughing, I would play them in proper order.”

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Borletti-Buitoni Trust 20th Anniversary Weekend, Bold Tendencies, Wigmore Hall review - dazzling past, present and future

David Nice

Founded two decades ago by Franco Buitoni and his wife Ilaria in league with their good friend Mitsuko Uchida, the Borletti-Buitoni Trust never seems to put a foot wrong in its choices: the present and future are as dazzling as the last 20 years. As well as giving generous long-term support to over 200 artists and groups, BBT commissions new works – more than 50 to date – and has set up a Communities wing "to encourage social cohesion".

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Elgar Oratorios, Hallé, Elder, Bridgewater Hall, Manchester review - a landmark in music making

Robert Beale

Sir Mark Elder has a special affection for the music of Elgar. They share a birthday, on 2 June, and his time with the Hallé has included more than one celebration of the composer at this time of year.

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Bezuidenhout, The English Concert, St Martin-in-the-Fields review - Mozart spring-cleaned

Boyd Tonkin

An evening of Mozart favourites in a landmark church on a sunny evening: that might suggest a perfect recipe for gently soporific tourist entertainment. Thankfully, not in the hands of Kristian Bezuidenhout and the English Concert. At St Martin-in-the-Fields, the South African-born Australian virtuoso of the period keyboard joined the Baroque orchestral powerhouse with which he collaborates as principal guest.

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Handel for the King, Le Concert Spirituel, Niquet, Wigmore Hall at St James's Spanish Place review - post-coronation celebrations

David Nice

Union Jacks could be stowed away, and EU ones figuratively, furtively flourished: this was a concert of celebratory music for a Hanoverian king by a Saxon composer, by then recently become a British citizen, performed by a French ensemble in a Roman Catholic church which once served the Spanish Embassy. The present King, having already made a start repairing Britain’s damaged reputation on the continent by speaking German in Berlin, surely approved.

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Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

David Nice

Do we really need instrumental Shostakovich with lighting, movement, costumes and video projection? I might have said no before having seen what the Norwegian Chamber Orchestra could do with former leader Terje Tønnesen, performing the Chamber Symphony by heart in dramatic style. It seemed likely that memorizing even more music under new Artistic Director Pekka Kuusisto, and performing it in an insanely demanding dramatic framework, with no word spoken, could work.

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