Classical Reviews
Voces8 LIVE from London online review - a cracking choral ChristmasTuesday, 15 December 2020
Voces8 are the Rolls-Royce of British a cappella ensembles and their LIVE From London - Christmas online festival is the Rolls-Royce of online festivals. Read more... |
Gabriele Carcano, Fidelio Orchestra Cafe - fresh, funny and focused BeethovenMonday, 14 December 2020
Perhaps it’s just the conventional mind which celebrates the pathos, tragedy and triumph in Beethoven’s music at the expense of his humour. And that’s the one aspect of the composer which has been a constant revelation – to me, at any rate – in his anniversary year. Too often the laughs have been solitary, listening to CDs or watching online. Read more... |
Fidelio, Opera North online review - less is really moreMonday, 14 December 2020
Adaptability is the name of the game for big companies in the music business now. And Opera North’s streamed presentation of Beethoven's Fidelio from inside Leeds Town Hall is a prime example of just how adaptable things need to be. Read more... |
Osborne, Aurora Orchestra, Kings Place review – live music that lives and breathesSunday, 13 December 2020
Like a hokey-cokey, we’re back to live music in London – but for how long? I overheard another audience member explaining it was her third time at Kings Place this week, as people cram in as many concerts as possible before a feared return to cultural lockdown. Read more... |
Kanneh-Mason Trio/Cassadó Ensemble, Kings Place review - the fewer the players, the greater the musicSaturday, 12 December 2020
For the performers and the venue there can be nothing but praise. To be back in Kings Place’s Hall One after so long was to realise afresh that no other London venue gives such air to soaring strings – and these ones truly did soar and gleam. For the programme, not quite so much. Read more... |
Williams, Hallé, Elder online review - big results from small forcesSaturday, 12 December 2020
The second of the Hallé’s Winter Season concerts-on-film is scarcely less ground-breaking than the first. But this time we are in the orchestra’s second home, the former church now extended to be Hallé St Peter’s in the regenerated part of Manchester's city centre. Read more... |
Higham, Scottish Chamber Orchestra, Emelyanychev online review - I should rococoFriday, 11 December 2020
Although this streamed concert from the Scottish Chamber Orchestra featured the music of Schubert and Tchaikovsky, the ghost at the feast was Mozart, the acknowledged inspiration behind the two main pieces. Read more... |
Paul Lewis, Wigmore Hall review – Classical consolationsThursday, 10 December 2020
The key of C minor threw a dark shadow over music long before it became the tonality for Beethoven to express the struggle of one against many in the Fifth Symphony and the Third Piano Concerto. Read more... |
Fast Food, Fast Music, Spitalfields Festival online - sizzling, scintillating fun and masteryWednesday, 09 December 2020
A good idea on paper – commission composers of all ages who happen to be women to write music for one, two or three instruments with the fundamental theme of swiftness and brevity, food element an optional extra – turns out to work brilliantly on screen, even if it was originally destined for a live lunchtime festival event. Read more... |
Doric Quartet, Wigmore Hall review – sombre reflectionsWednesday, 09 December 2020
With the wealth of online performances during the pandemic, it is easy to forget the regular offerings from the Wigmore Hall. The Hall found itself in a better position than most, as it was able to present its autumn schedule largely unchanged, the only programming issues arising from international travel limitations for the performers. Read more... |
Pages
inside classical music
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
American Primeval, Netflix review - nightmare on the Wild Fr...
It seems The Osmonds may not have been the worst outrage perpetrated on an unsuspecting public by the Mormons. American Primeval is set...
The Maids, Jermyn Street Theatre review - new broom sweeps c...
There are two main reasons to revive classics. The first is that they are really good; the second is that they have something to...
Gala Preview Show, De Montfort Hall review - Leicester Comed...
Europe's biggest comedy festival, which showcases established stars, works in progress, workshops and competitions, kicks off next month, and this...
The Second Act review - absurdist meta comedy about stardom
Can any line from The Second Act be taken at face value? Not really. “I should never have made this film,” confides Florence (the starry...
Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedr...
Yeti Lane’s second album The Echo Show was released in March 2012. The Paris-based duo’s LP was stunning: holding together overall, as...
Album: Lambrini Girls - Who Let the Dogs Out
Phoebe Lunny and Lilly Macieira are furious. Livid with the rapist...
Maria review - Pablo Larraín's haunting portrait of an...
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...